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Crackhead from Don't Be a Menace: Exploring a Complex Character and Social Commentary
Introduction:
The iconic film "Don't Be a Menace to South Central While Drinking Your Juice in the Hood" is packed with memorable characters, but few resonate as strongly – or as controversially – as the character simply referred to as "Crackhead." This seemingly one-dimensional portrayal actually offers a complex lens through which to examine societal issues, racial dynamics, and the devastating effects of addiction. This in-depth analysis will delve into the character's portrayal, exploring his significance within the film's narrative and the broader social commentary he embodies. We'll unpack his role, analyze his impact on the story, and examine the lasting implications of his representation. Prepare to go beyond the surface-level laughs and uncover the deeper layers of this often-overlooked character.
1. Crackhead's Role in the Narrative: More Than Just a Comic Relief
While initially presented as comedic relief, Crackhead's character serves a crucial purpose within "Don't Be a Menace." He's not merely a caricature; he’s a symbol of the systemic issues plaguing marginalized communities. His addiction isn't simply a joke; it reflects the desperation and lack of opportunity that can fuel such destructive behaviors. He acts as a stark reminder of the harsh realities faced by many, even within the context of a comedic film. His presence forces the audience to confront uncomfortable truths about poverty, addiction, and the societal factors that contribute to them. The film doesn't shy away from the ugliness of addiction, showing its devastating impact on individuals and their families.
2. Analyzing the Portrayal: Stereotype or Social Commentary?
The portrayal of Crackhead walks a fine line. Some argue it perpetuates harmful stereotypes about Black communities and addiction. Others contend that the film uses the character to highlight the very real consequences of systemic inequalities and the despair that can lead to self-destruction. The ambiguity of his representation invites critical analysis and discussion. Did the filmmakers succeed in using a potentially damaging stereotype to underscore a deeper social message? Or did they inadvertently reinforce negative stereotypes while attempting to satirize them? This is a vital question to grapple with when considering the character's lasting impact.
3. The Impact of Crackhead's Representation: A Lasting Impression?
Regardless of one's interpretation of his portrayal, Crackhead left an undeniable mark on viewers. The character is instantly recognizable, often cited as a memorable aspect of the film, even years later. This memorability itself raises questions about the power of representation, even when that representation is controversial. Did the comedic treatment lessen the seriousness of the underlying issues? Or did the absurdity of the situation highlight the absurdity of the situation itself? This is a critical area for exploring the nuances of the film's overall message.
4. Crackhead in the Broader Context of the Film's Satire:
"Don't Be a Menace" is a satire, cleverly parodying gangsta films and racial stereotypes prevalent in the 1990s. Crackhead's character fits within this satirical framework, acting as a warped reflection of how addiction is often portrayed in media. The exaggeration of his behavior and the comedic elements surrounding him challenge the viewer to question the ways in which society simplifies and stereotypes addiction and the individuals affected by it. His role is part of a larger commentary on the simplification and often inaccurate portrayal of serious social issues.
5. Beyond the Laughs: A Call to Empathy?
While the film employs humor, the portrayal of Crackhead isn't entirely devoid of pathos. Moments of vulnerability, albeit brief, offer glimpses into the human being behind the caricature. These moments, however fleeting, encourage a degree of empathy for the character, forcing the audience to acknowledge the suffering inherent in addiction, even amidst the comedy. This subtle injection of empathy adds another layer to the complexity of his representation. It reminds us that behind every stereotype lies a person with a story.
Article Outline:
Title: A Deeper Dive into "Crackhead" from Don't Be a Menace: Satire, Stereotype, or Social Commentary?
Introduction: Hooking the reader with the character's memorable presence and the film's overall context.
Chapter 1: Crackhead's role in the narrative, moving beyond simple comedic relief.
Chapter 2: Analyzing the portrayal: Examining the line between stereotype and social commentary.
Chapter 3: The impact of the character's representation and its lasting effects.
Chapter 4: Crackhead within the film's broader satire of gangsta films and social issues.
Chapter 5: Exploring potential for empathy within the character's portrayal despite comedic elements.
Conclusion: Summarizing the complexities of the character and its significance.
(The body of the article would then expand on each of these points, providing detailed analysis supported by evidence from the film and relevant academic sources, as outlined above.)
Conclusion:
The character of "Crackhead" in "Don't Be a Menace" remains a subject of ongoing debate and analysis. His portrayal successfully challenges viewers to confront complex issues related to addiction, poverty, and racial representation. Whether one views him as a harmful stereotype or a potent symbol of societal ills, his impact on the film and its audience is undeniable. The ambiguity of his representation ensures that his character continues to spark discussion and critical thinking long after the credits roll. It's this enduring power to provoke conversation that truly solidifies his significance in cinematic history.
FAQs:
1. Is Crackhead a realistic portrayal of addiction? The portrayal is stylized for comedic effect, but it touches upon the real-life consequences of addiction within a specific social context.
2. Does the film perpetuate harmful stereotypes? This is a matter of ongoing debate; some argue it does, while others see it as satire challenging those stereotypes.
3. What is the significance of Crackhead's name? The lack of a proper name itself contributes to the character's dehumanization and status as a symbol.
4. How does Crackhead's character contribute to the film's overall message? He serves as a potent symbol of systemic issues and the devastating impact of societal inequalities.
5. What is the comedic effect of Crackhead's character? The humor arises from the exaggeration of his behavior and the contrast with the film's overall satirical tone.
6. Could Crackhead's portrayal be interpreted as sympathetic? While primarily comedic, moments of vulnerability offer glimpses into the human cost of addiction.
7. What are the ethical considerations of portraying addiction in this manner? The ethical considerations are complex and center on balancing humor with sensitivity towards a serious social problem.
8. How does Crackhead's character relate to other characters in the film? He often acts as a foil to the main characters, highlighting the disparity in their lives.
9. What is the lasting impact of Crackhead's character on viewers? He is a highly memorable character who continues to spark discussion and debate about representation and social issues.
Related Articles:
1. The Satirical Power of "Don't Be a Menace": Explores the film's use of satire to critique social issues.
2. Representations of Addiction in Film: Examines how addiction is portrayed in various films.
3. Social Commentary in 90s Black Cinema: Analyzes social commentary present in films of that era.
4. The Role of Comedy in Addressing Social Issues: Discusses the use of humor to tackle sensitive topics.
5. Stereotypes and Representation in Hollywood: Analyzes the prevalence and impact of stereotypes in film.
6. The Impact of Systemic Inequality on Marginalized Communities: Explores the effects of systemic inequality.
7. Understanding the Psychology of Addiction: Provides a deeper understanding of addiction from a psychological perspective.
8. Analyzing the use of Caricature in Film: Explores the use of exaggerated characters for comedic and satirical effects.
9. The Effectiveness of Satire as a Tool for Social Change: Examines the power of satire to influence societal attitudes.
| crackhead from don t be a menace: When Truth Is Gangsta Tecori Sheldon, 2014-09-30 An assault team storms eight-year-old Walker Ruffneck' Story's rural Pennsylvania family compound, killing both of his parents. Ruffneck escapes and is smuggled out of state to Detroit. Under the watchful eye of Granny Sinclair, Ruffneck re-emerges 11 years later, hungry for power and revenge. He challenges the elitists in the dope game for control. Betrayed, Ruffneck is put behind bars for two years, and Granny Sinclair and Ruffneck's cousin are murdered. Out of prison, Ruffneck has only revenge on his mind. All fingers point to one man: the Mayor of Detroit.' |
| crackhead from don t be a menace: Knifer Ronnie Thompson, 2011-03-31 Drug addiction. Criminal behaviour. Murder... and all before his sixteenth birthday. From foster home to children's home to living rough on the streets, Cain never had a normal childhood. By the age of 8 he was carrying a knife. Seven years later he was serving time for killing someone. Based on real events, ex-prison officer Ronnie Thompson tells Cain's shocking story and reveals what really happens to teenage offenders both on the streets and once they're behind bars. Prison riots, assaults on officers, roof-top protests and brutal acts of violence - this is an inside account of life in a young offender's institute and of an angry young man spiralling dangerously out of control. |
| crackhead from don t be a menace: Freckles, Stilettos and None Anjou Giri Kwan, 2013-05-16 In my writings, you will observe the spirit and the soul in a tussle, Freckles, Stilettos and None is a book of short stories that has been created from memories, images and imagination of how Love and Relationships breed angst. Stories like Miya Kraapik and The Man with the Uniform is about being simple, honest and rotten in our daily routines. And yet fate always has an ace up its sleeve, so when you read The Sunset Of Our Lives and Dancing Faces You Towards Heaven and Dotcom, the magic of life being colossal and intriguing is touched upon and you will challenge yourself to do more. Sometimes when we give ourselves a chance to touch us, life becomes poetry like All In Verse and Krazzie Gothic Angel. I believe in Life, Love and Angst, how else would we grow? |
| crackhead from don t be a menace: Deep Shaker Les Roberts, 2005-06-01 #3 in the Milan Jacovich mystery series . . . No one is as loyal to old friends as Cleveland private investigator Milan Jacovich (it’s pronounced MY-lan YOCK-ovich). So when a grade school chum worries his son Paulie might be selling drugs, Milan has no choice but to help. Milan turn up Paulie’s connection, a handsome Jamaican named Deshon who pals around with two baseball-bat wielding thugs and a German shepherd dog who looks like he’s all business. The narcotics business makes curious bedfellows, as Milan discovers during his investigation of a particularly brutal murder; he butts heads with a wily realtor named Christmas, a flamboyant automobile dealer with lofty political ambitions, an edgy street pusher, and his old friends from the Little Italy mob, Don Giancarlo D’Allessandro and Victor Gaimari. Milan also encounters a drug gang unparalleled in their savagery, and unearths a relic from every Clevelander’s childhood that proves to be deadly. |
| crackhead from don t be a menace: Hoodlums William L. Van Deburg, 2013-10-21 Martin Luther King Jr. Malcolm X. Muhammad Ali. When you think of African American history, you think of its heroes—individuals endowed with courage and strength who are celebrated for their bold exploits and nobility of purpose. But what of black villains? Villains, just as much as heroes, have helped define the black experience. Ranging from black slaveholders and frontier outlaws to serial killers and gangsta rappers, Hoodlums examines the pivotal role of black villains in American society and popular culture. Here, William L. Van Deburg offers the most extensive treatment to date of the black badman and the challenges that this figure has posed for race relations in America. He first explores the evolution of this problematic racial stereotype in the literature of the early Republic—documents in which the enslavement of African Americans was justified through exegetical claims. Van Deburg then probes antebellum slave laws, minstrel shows, and the works of proslavery polemicists to consider how whites conceptualized blacks as members of an inferior and dangerous race. Turning to key works by blacks themselves, from the writings of Frederick Douglass and W. E. B. Du Bois to classic blaxploitation films like Black Caesar and The Mack, Van Deburg demonstrates how African Americans have combated such negative stereotypes and reconceptualized the idea of the badman through stories of social bandits—controversial individuals vilified by whites for their proclivity toward evil, but revered in the black community as necessarily insurgent and revolutionary. Ultimately, Van Deburg brings his story up-to-date with discussions of prison and hip-hop culture, urban rioting, gang warfare, and black-on-black crime. What results is a work of remarkable virtuosity—a nuanced history that calls for both whites and blacks to rethink received wisdom on the nature and prevalence of black villainy. |
| crackhead from don t be a menace: Focus On: 100 Most Popular American Satirical Films Wikipedia contributors, |
| crackhead from don t be a menace: My Religion Charles Lamar Garrison, 2012-08-16 Winding down the deceit soaked pavement of Chicago’s infamous Cabrini Green housing project through the drug infested plight of Columbus, Ohio’s Lower Westside. Imprisoned stick up kid and contract killer Remorse Evans details his life of crime. All the while attempting to survive within the walls of one of the nations most notorious prisons, S.O.C.F. better known as Lucasville Max. |
| crackhead from don t be a menace: Family Over Everything Paige Green, 2013-05-28 Twin brothers, Deion and Day'onne Jenkins, have grown up in the cold streets of the gritty Northview Heights, Pittsburgh community. Deion, a young, aspiring writer, tries his best to stay out of trouble and keep his hands clean. But it's a challenge with his brother's hard, ruthless ways. Day'onne, who continuously wreaks havoc throughout the city, does whatever it takes to get on top. But after crossing the wrong person, a vet in the drug game, things turn for the worst in all of their lives. Will Deion stay on the road to success or swallow his fears for his family? |
| crackhead from don t be a menace: Every Man a Menace Patrick Hoffman, 2016-10-08 Hailed by McSweeney’s as an “emerging master of the crime genre,” Patrick Hoffman’s Every Man a Menace is a heart-stopping novel about the high-stakes world of Ecstasy-smuggling. San Francisco is about to receive the biggest delivery of MDMA to hit the West Coast in years. Raymond Gaspar, just out of prison, is sent to the city by his criminal boss — still locked up on the inside — to check in on the testy woman who buys the product and the increasingly erratic dealer expected to take care of distribution. Down in Miami, the club owner responsible for shipping the drugs from Southeast Asia to the Bay Area has just met the girl of his dreams, but there’s something about her past that’s troubling him. And thousands of miles away, in Bangkok, a former conscript of the Israeli army, who is farther up the production chain, swipes right on a male dating app, taking a chance on the wrong pretty face — and one that threatens to unravel the whole operation. Stretching from the Golden Triangle of Southeast Asia to the Golden Gate of San Francisco, Every Man a Menace is a gritty and propulsive novel about the making, moving, and selling of the drug known as Molly — pure happiness in powder form, brought to market by bloodshed and betrayal. |
| crackhead from don t be a menace: A Pickle for the Knowing Ones Timothy Dexter, 1848 |
| crackhead from don t be a menace: Fallin' For A Carolina Menace Natisha Raynor, 2019-02-21 |
| crackhead from don t be a menace: Historical Dictionary of African American Cinema S. Torriano Berry, Venise T. Berry, 2015-05-07 As early as 1909, African Americans were utilizing the new medium of cinema to catalogue the world around them, using the film camera as a device to capture their lives and their history. The daunting subject of race and ethnicity permeated life in America at the turn of the twentieth century and due to the effect of certain early films, specific television images, and an often-biased news media, it still plagues us today. As new technologies bring the power of the moving image to the masses, African Americans will shoot and edit on laptop computers and share their stories with a global audience via the World Wide Web. These independently produced visions will add to the diverse cache of African American images being displayed on an ever-expanding silver screen. This wide range of stories, topics, views, and genres will finally give the world a glimpse of African American life that has long been ignored and has yet to be seen. This second edition of Historical Dictionary of African American Cinema covers its history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1400 cross-referenced entries on actors, actresses, movies, producers, organizations, awards, and terminology, this book provides a better understanding of the role African Americans played in film history. This book is an excellent access point for students, researchers, and anyone wanting to know more about African American cinema. |
| crackhead from don t be a menace: Blackout Girl Jennifer Storm, 2009-06-03 A riveting memoir of what happens to a teenage girl whose life is awash in alcohol, drugs, and the trauma of rape. Jennifer Storm's Blackout Girl is a can't-tear-yourself-away look at teenage addiction and redemption. At age six, Jennifer Storm was stealing sips of her mother's cocktails. By age 13, she was binge drinking and well on her way to regular cocaine and LSD use. Her young life was awash in alcohol, drugs, and the trauma of rape. She anesthetized herself to many of the harsh realities of her young life--including her own misunderstandings about her sexual orientation--, which made her even more vulnerable to victimization. Blackout Girl is Storm's tender and gritty memoir, revealing the depths of her addiction and her eventual path to a life of accomplishment and joy. |
| crackhead from don t be a menace: Shook One Charlamagne Tha God, 2019-09-03 Charlamagne Tha God, New York Times bestselling author of Black Privilege and always provocative cohost of Power 105.1’s The Breakfast Club, reveals his blueprint for breaking free from your fears and anxieties. Being “shook” is more than a rap lyric for Charlamagne, it’s his mission to overcome. While it may seem like he’s ahead of the game, he is actually plagued by anxieties, such as the fear of losing his roots, the fear of being a bad dad, and the fear of being a terrible husband. In the national bestseller Shook One, Charlamagne chronicles his journey to beat those fears and shows a path that you too can take to overcome the anxieties that may be holding you back. Ironically, Charlamagne’s fear of failure—of falling into the life of stagnation or crime that caught up so many of his friends and family in his hometown of Moncks Corner—has been the fuel that has propelled him to success. However, even after achieving national prominence as a radio personality, Charlamagne still found himself paralyzed by anxiety and distrust. Here, in Shook One, he is working through these problems—many of which he traces back to cultural PTSD—with help from mentors, friends, and therapy. Being anxious doesn’t serve the same purpose anymore. Through therapy, he’s figuring out how to get over the irrational fears that won’t take him anywhere positive. Charlamange hopes Shook One can be a call to action: Getting help is your right. His second book “cements the radio personality’s stance in making sure he’s on the right side of history when it comes to society’s growing focus on mental health, while helping remove the negative stigma” (Billboard). |
| crackhead from don t be a menace: A Perfect Fit Luther Wright, Karen Hunter, 2010-11-23 FORMER NBA STAR LUTHER WRIGHT SHARES HIS HARROWING AND UPLIFTING JOURNEY OF FINDING GOD—AND HIMSELF—WHEN HE HAD NOTHING LEFT TO LOSE. Luther Wright had the life hoop dreams are made of. A first-round NBA draft pick for the Utah Jazz, he was a rookie on a team with basketball legends Karl Malone and John Stockton. He had money, women, cars, and a luxurious bachelor pad overlooking Salt Lake City. But within a year, ravaged by drugs and unable to cope with life as an NBA star, he was homeless, broke and addicted to crack cocaine. Wright never wanted to play basketball, yet standing more than seven feet tall even as a boy, he thought he had no choice. In this heartrending memoir, he writes candidly about the self-destructive spiral he found himself on after neglecting his passions to pursue the dreams of others. After years of living on the streets, he finally found a gift greater than anything his millions could have bought him—God. Today, Wright offers a simple message: believe in yourself, follow your dreams, and only then will you find your Perfect Fit. |
| crackhead from don t be a menace: Sister 2 Sister , 1994 |
| crackhead from don t be a menace: Come Get Some Nane Quartay, 2008-04-01 Come Get Some is a vivid tale of street life and the struggle to conquer poverty, tragedy, and discovering one's self through the indomitable will of the human spirit. Four friends—Mugwump, Whiteboy Paul, Truitt, and Willmon Angel—are tragic outcasts plunged into a world of shifting morality, sexual exploration, and the stinging reality of racism. An illicit relationship with a high school English teacher, a tragic altercation with the police and a youthful indiscretion force them each to confront their personal demons, revealing hard truths that alter their lives forever. When one of the friends is murdered, their friendship is shattered, and his violent death tears their clique apart as they go their separate ways. Years later, they are reunited and when forced to face the consequences of their actions they hatch a plan to exact revenge on the man responsible for the murder. Thrust into a world of shifting morality, sexual exploration, and encountering the stinging reality of racism, Come Get Some bridges the gap between a literary, yet fully entertaining style of storytelling. Nane Quartay's bold, literary style captures thoughtful, social commentary through a fast-paced narrative. Come Get Some is a story of survival, friendship, tragedy, and ultimate redemption—revealing how the bonds of friendship can give people the power they need to overcome all obstacles that life sets in their path. |
| crackhead from don t be a menace: The Night of the Gun David Carr, 2012-12-11 David Carr was an addict for more than twenty years -- first dope, then coke, then finally crack -- before the prospect of losing his newborn twins made him sober up in a bid to win custody from their crack-dealer mother. Once recovered, he found that his recollection of his 'lost' years differed -- sometimes radically -- from that of his family and friends. The night, for example, his best friend pulled a gun on him. 'No,' said the friend (to David's horror, as a lifelong pacifist), 'It was you that had the gun.' Using all his skills as an investigative reporter, he set out to research his own life, interviewing everyone from his parents and his ex-partners to the policemen who arrested him, the doctors who treated him and the lawyers who fought to prove he was fit to have custody of his kids. Unflinchingly honest and beautifully written, the result is both a shocking account of the depths of addiction and a fascinating examination of how -- and why -- our memories deceive us. As David says, we remember the stories we can live with, not the ones that happened. |
| crackhead from don t be a menace: Let's Pretend This Never Happened Jenny Lawson, 2012-04-17 The #1 New York Times bestselling (mostly true) memoir from the hilarious author of Furiously Happy. “Gaspingly funny and wonderfully inappropriate.”—O, The Oprah Magazine When Jenny Lawson was little, all she ever wanted was to fit in. That dream was cut short by her fantastically unbalanced father and a morbidly eccentric childhood. It did, however, open up an opportunity for Lawson to find the humor in the strange shame-spiral that is her life, and we are all the better for it. In the irreverent Let’s Pretend This Never Happened, Lawson’s long-suffering husband and sweet daughter help her uncover the surprising discovery that the most terribly human moments—the ones we want to pretend never happened—are the very same moments that make us the people we are today. For every intellectual misfit who thought they were the only ones to think the things that Lawson dares to say out loud, this is a poignant and hysterical look at the dark, disturbing, yet wonderful moments of our lives. Readers Guide Inside |
| crackhead from don t be a menace: They Call Me Baba Booey Gary Dell'Abate, Chad Millman, 2011-05-31 NEW YORK TIMES BESTSELLER Includes all-new ma-ma-material! ALL NEW CHAPTER: Baba Booey’s Afghanistan Journal! and . . . the Shvoogie Buzzer story! One of pop culture’s great enduring unsung heroes: Gary Dell’Abate, Howard Stern Show producer, miracle worker, professional good sport, and servant to the King of All Media, tells the story of his early years and reveals how his chaotic childhood and early obsessions prepared him for life at the center of the greatest show on earth. Baba Booey! Baba Booey! It was a slip of the tongue—that unfortunately was heard by a few million listeners—but in that split second a nickname, a persona, a rallying cry, and a phenomenon was born. Some would say it was the moment Gary Dell’Abate, the long-suffering heroic producer of The Howard Stern Show, for better or worse, finally came into his own. In They Call Me Baba Booey, Dell’Abate explains how his early life was the perfect training ground for the day-to-day chaos that comes with producing the most popular radio show on earth. Growing up on Long Island in the 1970s, the youngest of three boys born to a clinically depressed mother, Gary learned how to fend for himself when under attack. Obsessed with music, he listened with religious intensity to Casey Kasem's Top 40 every Sunday morning, compulsively bought 45s of his favorite songs, and nerdily copied the lyrics into a notebook. Music became an ordering principle to his life, even as the chaos at home got out of hand. Dell’Abate’s memoir sketches the trajectory from the obsessive pop-music trivia buff to the man in the beekeeper’s mask who handily defeats his opponents playing “Stump the Booey.” We learn about the memorable moments in his life that taught him to endure epic bouts of humiliation and get his unique perspective on some of his favorite Stern show episodes—such as the day he nearly killed the Mets mascot while throwing out the first pitch, or the time his mother called Howard’s mother and demanded an apology. Hilarious, painful, and eye-opening, it’s Gary as you’ve never seen him before, telling a story that even Stern show insiders can’t begin to imagine. |
| crackhead from don t be a menace: Is It Still Good to Ya? Robert Christgau, 2018-10-04 Is It Still Good to Ya? sums up the career of longtime Village Voice stalwart Robert Christgau, who for half a century has been America's most widely respected rock critic, honoring a music he argues is only more enduring because it's sometimes simple or silly. While compiling historical overviews going back to Dionysus and the gramophone along with artist analyses that range from Louis Armstrong to M.I.A., this definitive collection also explores pop's African roots, response to 9/11, and evolution from the teen music of the '50s to an art form compelled to confront mortality as its heroes pass on. A final section combines searching obituaries of David Bowie, Prince, and Leonard Cohen with awed farewells to Bob Marley and Ornette Coleman. |
| crackhead from don t be a menace: Screen World John A. Willis, 1997 |
| crackhead from don t be a menace: SPIN , 2005-11 From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks. |
| crackhead from don t be a menace: Ashes, Ashes Charles Atkins, 2014-11-20 A Manhattan forensic psychologist is targeted by a madman in this “taut, mind-blowing . . . Genuinely gripping thriller” (Booklist). Dr. Barrett Conyors knows just how dangerous Richard Glash is. She’s studied him. An easily triggered paranoid schizophrenic obsessed with Charles Manson and John Wayne Gacy, he’s currently serving four life sentences for an appalling series of murders. What a terrible mistake it would be if he were to be transferred to a local, far less secure, hospital for the criminally insane. It’s what Glash’s bleeding-heart attorney Carla Phelps demands. It’s what Barrett fears. The nightmare comes true when Glash escapes. Taking Barrett and Carla hostage is Glash’s first move. His next is inconceivably chilling. Barrett and Carla won’t be the only ones to suffer. What Glash has planned is to terrorize the entire city of New York. He’s sworn to become one of the most notorious mass murderers in recorded history—and he’s determined to make good on his promise. |
| crackhead from don t be a menace: New York Magazine , 1993-09-06 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| crackhead from don t be a menace: Screen World 1997 John Willis, Barry Monush, 2000-02 John Willis' Screen World has become the definitive reference for any film library. Each volume includes every significant U.S. and international film released during that year as well as complete filmographies, capsule plot summaries, cast and characters, credits, production company, month released, rating, and running time. You'll also find biographical entries - a prices reference for over 2 000 living stars, including real name, school, place and date of birth. A comprehensive index makes this the finest film publication that any film lover could own. |
| crackhead from don t be a menace: I AM HE, MR. RETRIBUTION ERIC JONES, 2013-07-21 How can you possibly identify a sophisticated killer with multiple identities? A ghost! A killer who could find you at any moment with the aid of his psychic ability if you were on his list. A killer who leaves not a trace. The mystery becomes too intricate for law enforcement and forensics experts to unstitch when letters justifying Mr. Retribution's killings, are found at the many gruesome crime scenes, who started his massacres in the 60's, 70's and 80's, return to the new millennium to claim more malicious victims of the Chicago south suburbs, who he believes mercy shall never be a savior for. But who is this masked murderer who calls himself, Mr. Retribution? The mystery shall surely shock you! |
| crackhead from don t be a menace: From the Streets to the Skies No Limits Crystal Victoria, 2012-04 From the Streets to the Skies No Limits is based on a true story and the diary of Crystal Victoria. The book addresses many obstacles facing our young generation, as they evolve into adulthood. Many times the author made decisions based on peer pressure and an immature mindset. In the end, she overcame her biggest problem, which was herself. This is the story of her failure, flight, and motivation to overcome the struggles in spite of the conflicts that could have held her back. The message From the Streets to the Skies No Limits communicates to individuals is to be your best self. The author's age, level of understanding, and in-depth story is certain to grasp the reader's attention and will keep you on the edge of your seat to the end. The life she previously lived was full of crime, drug abuse & dealing, prostitution, and domestic violence. It is by the grace of God, she survivied the adversity. From the Streets to the Skies No Limits: Diary of A Boss Lady illustrates where and how she went wrong in the beginning, but also gained the strength to move forward and correct her mistakes. |
| crackhead from don t be a menace: Police Ethics Michael Caldero, Jeffrey Dailey, Brian Withrow, 2018-02-01 Police Ethics, Fourth Edition, provides an analysis of corruption in law enforcement organizations. The authors argue that the noble cause—a commitment to “doing something about bad people”—is a central “ends-based” police ethic. This fundamental principle of police ethics can paradoxically open the way to community polarization and increased violence, however, when officers violate the law on behalf of personally held moral values. This book is about the power that police use to do their work and how it can lead police to abuse their positions at the individual and organizational levels. It provides students of policing with a realistic understanding of the kinds of problems they will confront in the practice of police work. This timely new edition offers police administrators direction for developing agency-wide corruption prevention strategies, and a re-written chapter further expands our level of understanding of corruption by covering the Model of Circumstantial Corruptibility in detail. The fourth edition also discusses critical ethical issues relating to the relationship between police departments and minority communities, including Black Lives Matter and other activist groups. In the post-Ferguson environment, this is a crucial text for students, academicians, and law enforcement professionals alike. |
| crackhead from don t be a menace: The Sun King David Ignatius, 1999-08-24 Washington Post columnist David Ignatius is one of the most highly regarded writers in the capital, an influential journalist and acclaimed novelist with a keen eye for the subtleties of power and politics. In The Sun King, Ignatius has written a love story for our time, a spellbinding portrait of the collision of ambition and sexual desire. Sandy Galvin is a billionaire with a rare talent for taking risks and making people happy. Galvin arrives in a Washington suffering under a cloud of righteous misery and proceeds to turn the place upside down. He buys the city's most powerful newspaper, The Washington Sun and Tribune, and wields it like a sword, but in his path stands his old Harvard flame, Candace Ridgway, a beautiful and icy journalist known to her colleagues as the Mistress of Fact. Their fateful encounter, tangled in the mysteries of their past, is narrated by David Cantor, an acid-tongued reporter and Jerry Springer devotee who is drawn inexorably into the Sun King's orbit and is transformed by this unpredictable man. In this wise and poignant novel, love is the final frontier for a generation of baby boomers at midlife--still young enough to reach for their dreams but old enough to glimpse the prospect of loss. The Sun King can light up a room, but can he melt the worldly bonds that constrain the Mistress of Fact? In The Sun King, David Ignatius proves with perceptive wit and haunting power that the phrase Washington love story isn't an oxymoron. |
| crackhead from don t be a menace: In Our Mad and Furious City Guy Gunaratne, 2018-12-11 Long-listed for the 2018 Man Booker Prize Short-listed for the 2018 Gordon Burn Prize Short-listed for the 2018 Goldsmiths Prize Inspired by the real-life murder of a British army soldier by religious fanatics, Guy Gunaratne’s In Our Mad and Furious City is a snapshot of the diverse, frenzied edges of modern-day London. A crackling debut from a vital new voice, it pulses with the frantic energy of the city’s homegrown grime music and is animated by the youthful rage of a dispossessed, overlooked, and often misrepresented generation. While Selvon, Ardan, and Yusuf organize their lives around soccer, girls, and grime, Caroline and Nelson struggle to overcome pasts that haunt them. Each voice is uniquely insightful, impassioned, and unforgettable, and when stitched together, they trace a brutal and vibrant tapestry of today’s London. In a forty-eight-hour surge of extremism and violence, their lives are inexorably drawn together in the lead-up to an explosive, tragic climax. In Our Mad and Furious City documents the stark disparities and bubbling fury coursing beneath the prosperous surface of a city uniquely on the brink. Written in the distinctive vernaculars of contemporary London, the novel challenges the ways in which we coexist now—and, more important, the ways in which we often fail to do so. |
| crackhead from don t be a menace: Dark Horses: The Magazine of Weird Fiction No. 14 | March 2023 Wayne Kyle Spitzer, 2023-03-14 dark horse /ˈdärk ˈˌhôrs/ noun 1. a candidate or competitor about whom little is known but who unexpectedly wins or succeeds. a dark-horse candidate Join us for a monthly tour of writers who give as good as they get. From hard science-fiction to stark, melancholic apocalypses; from Lovecraftian horror to zombies and horror comedy; from whimsical interludes to tales of unlikely compassion--whatever it is, if it's weird, it's here. So grab a seat before the starting gun fires, pour yourself a glass of strange wine, and get ready for the running of the dark horses. In this issue: MOTHER STORY Lee Landey LIGHTSIREN Tim McHugh MEN’S HELL CLUB Fred Nolan ONE OF THESE NIGHTS H. Thomas SHADOWS IN THE LIGHT Todd Sullivan SOMEWHERE ANYWHERE Kevin Brown THE HAUNTING OF THE HAUNTED HOUSE K. Danckert THE NEW NORMAL Matthew McAyeal BEER AND TENTACLES Bill Link THE GHOSTS IN THEIR BOROUGHS Wayne Kyle Spitzer |
| crackhead from don t be a menace: Mike Royko: The Chicago Tribune Collection 1984-1997 Mike Royko, 2014-11-04 Mike Royko: The Chicago Tribune Collection 1984–1997 is an expansive new volume of the longtime Chicago news legend’s work. Encompassing thousands of his columns, all of which originally appeared in the Chicago Tribune, this is the first collection of Royko work to solely cover his time at the Tribune. Covering politics, culture, sports, and more, Royko brings his trademark sarcasm and cantankerous wit to a complete compendium of his last 14 years as a newspaper man. Organized chronologically, these columns display Royko's talent for crafting fictional conversations that reveal the truth of the small-minded in our society. From cagey political points to hysterical take-downs of meatball sports fans, Royko's writing was beloved and anticipated anxiously by his fans. In plain language, he tells it like it is on subjects relevant to modern society. In addition to his columns, the book features Royko's obituary and articles written about him after his death, telling the tale of his life and success. This ultimate collection is a must-read for Royko fans, longtime Chicago Tribune readers, and Chicagoans who love the city's rich history of dedicated and insightful journalism. |
| crackhead from don t be a menace: How to be Idle Tom Hodgkinson, 2007-06-07 How to be Idle is Tom Hodgkinson's entertaining guide to reclaiming your right to be idle. As Oscar Wilde said, doing nothing is hard work. The Protestant work ethic has most of us in its thrall, and the idlers of this world have the odds stacked against them. But here, at last, is a book that can help. From Tom Hodgkinson, editor of the Idler, comes How to be Idle, an antidote to the work-obsessed culture which puts so many obstacles between ourselves and our dreams. Hodgkinson presents us with a laid-back argument for a new contract between routine and chaos, an argument for experiencing life to the full and living in the moment. Ranging across a host of issues that may affect the modern idler - sleep, the world of work, pleasure and hedonism, relationships, bohemian living, revolution - he draws on the writings of such well-known apologists for idleness as Dr Johnson, Oscar Wilde, Robert Louis Stevenson and Nietzsche. His message is clear: take control of your life and reclaim your right to be idle. 'Well written, funny and with a scholarly knowledge of the literature of laziness, it is both a book to be enjoyed at leisure and to change lives' Sunday Times 'In his life and in this book the author is 100 per cent on the side of the angels' Literary Review 'The book is so stuffed with wisdom and so stuffed with good jokes that I raced through it like a speed freak' Independent on Sunday Tom Hodgkinson is the founder and editor of The Idler and the author of How to be Idle, How to be Free, The Idle Parent and Brave Old World. In spring 2011 he founded The Idler Academy in London, a bookshop, coffeehouse and cultural centre which hosts literary events and offers courses in academic and practical subjects - from Latin to embroidery. Its motto is 'Liberty through Education'. |
| crackhead from don t be a menace: Two Sons Nelson Christ Kennedy, 2008-08 A cast of troubled anti-heroes struggle to survive and family ties are tested in an uncertain world where power is held by a Christ and the many gods all clash to rule supreme. Used as a pawn in the machinations of those above him Nelson MacClease saves himself from one god only to fall prey to another. Drugs, violence and the politics of war takes the reader around the globe, from the ocean's bottom to the edges of space to spy on palace intrigues and vie with street-gangs and mobsters in a futuristic science-fiction novel filled with the violent underworld of crime and power. |
| crackhead from don t be a menace: Born a Crime Trevor Noah, 2016-11-15 #1 NEW YORK TIMES BESTSELLER • More than one million copies sold! A “brilliant” (Lupita Nyong’o, Time), “poignant” (Entertainment Weekly), “soul-nourishing” (USA Today) memoir about coming of age during the twilight of apartheid “Noah’s childhood stories are told with all the hilarity and intellect that characterizes his comedy, while illuminating a dark and brutal period in South Africa’s history that must never be forgotten.”—Esquire Winner of the Thurber Prize for American Humor and an NAACP Image Award • Named one of the best books of the year by The New York Time, USA Today, San Francisco Chronicle, NPR, Esquire, Newsday, and Booklist Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle. Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life. The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love. |
| crackhead from don t be a menace: Never Go Home Again Shannon Holmes, 2004-12-28 Shannon Holmes -- Essence bestselling author of B-More Careful and Bad Girlz, and one of the brightest stars in urban fiction -- returns with a dramatic must-read novel inspired by his own life. Never Go Home Again is the story of Corey Dixon, a young man whose father tries as best he can to steer him away from the lure of the streets. And yet, like so many others in Corey's neighborhood, he finds the temptations of the lucrative drug trade too great to resist. While he makes fast money for a while, it is inevitable that it is he who has to pay, with his time and maybe even his life: by the age of sixteen Corey is locked up. Incarcerated in Riker's Island and then in prisons upstate, Corey lives through experiences that threaten to destroy his body, his mind, and eventually his spirit. But in the midst of his horrific imprisonment he discovers new strength to keep himself together and survive. Corey meets a few kind souls who mean him well, including a teacher who encourages him to get out of prison and make something of himself. The teacher also advises Corey to never go home again. Though the homesick Corey does not immediately understand, he ultimately realizes the wisdom of his mentor's words. Unflinching and riveting, this story is the firsthand account of the brutal, unforgiving inner-city streets and prison life, as well as a difficult lesson in accepting responsibility and moving on. |
| crackhead from don t be a menace: The Noble Lie Gary Greenberg, 2008-09-16 Is drug addiction really a disease? Is sexuality inborn and fixed or mutable? Science is where we often turn when we can't achieve moral clarity. In The Noble Lie, acclaimed and controversial science writer Gary Greenberg shows how scientists try to use their findings to resolve the dilemmas raised by some of the most hotly contested issues of our time, from gay rights to euthanasia and the drug war. He reveals how their answers often turn out to be more fiction than science—and explores whether they cause more harm than good. |
| crackhead from don t be a menace: The Cambridge Companion to Hip-Hop Justin A. Williams, 2015-02-12 This Companion covers the hip-hop elements, methods of studying hip-hop, and case studies from Nerdcore to Turkish-German and Japanese hip-hop. |
| crackhead from don t be a menace: Rayne Hawke: The Killing Fields: Dusk 'Til Sunrise , |
