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Decoding the WBGO.org Playlist: Your Guide to Jazz, Blues, and More
Are you a jazz aficionado? Do you crave the rich sounds of blues, the vibrant energy of Latin rhythms, or the soulful depths of gospel music? Then you’ve come to the right place! This comprehensive guide dives deep into the world of WBGO.org and its ever-evolving playlists, offering you the ultimate resource to navigate this treasure trove of audio excellence. We'll explore how to access their diverse programming, understand their scheduling, uncover hidden gems, and even offer tips and tricks to maximize your listening experience. Prepare to unlock the full potential of the WBGO.org playlist and elevate your listening journey!
Understanding the WBGO.org Playlist Landscape
WBGO 88.3 FM, a public radio station based in Newark, New Jersey, is renowned for its exceptional jazz programming. But their online presence, WBGO.org, offers much more than just live streams. The site provides access to a vast library of past broadcasts, special features, and curated playlists catering to a wide range of musical tastes. Navigating this wealth of audio content can seem daunting at first, but with this guide, you'll become a seasoned WBGO.org explorer in no time.
Accessing the WBGO.org Playlist: A Step-by-Step Guide
Finding the exact playlist you crave on WBGO.org requires a little know-how. While they don’t offer a single, centralized playlist page in the traditional sense (like a Spotify or Apple Music playlist), their website offers multiple avenues to discover their musical offerings:
Live Stream: The most straightforward way is listening to the live stream. This offers the immediate experience of their current programming, allowing you to discover new artists and shows organically. You can usually find this prominently featured on their homepage.
On-Demand Content: WBGO.org archives a significant portion of its programming. This is where you can find past shows, interviews, and special broadcasts. Look for sections labeled "On Demand," "Archives," "Podcasts," or similar nomenclature on their website's navigation.
Program Pages: Each program on WBGO often has its own page. These individual pages sometimes contain links to listen to past episodes or related content. Explore the "Shows" section of their website to find individual program pages.
Search Functionality: Don't underestimate the power of WBGO.org’s search bar! You can search for specific artists, songs, or program titles to find relevant audio content.
Social Media: WBGO often promotes playlists and upcoming broadcasts on their social media platforms (Facebook, Twitter, Instagram). Following them can provide timely updates and links to curated listening experiences.
Discovering Hidden Gems within the WBGO.org Playlist
Beyond the readily available content, WBGO.org holds many hidden musical treasures. Here's how to unearth them:
Explore Related Artists: Once you find an artist you enjoy, utilize the site's search or related content links to discover similar musicians within the WBGO universe.
Delve into Archived Shows: Don't limit yourself to current broadcasts. The archives often hold captivating interviews, live performances, and rare recordings that are well worth exploring.
Pay Attention to Program Descriptions: Many programs have detailed descriptions that highlight featured artists and musical styles. Use these descriptions to find shows that align with your specific tastes.
Check for Special Programming: WBGO often features themed programming around holidays, anniversaries, or specific musical genres. Be on the lookout for these special events.
Engage with the WBGO Community: Join the online community by following them on social media or participating in their forums (if they have any). This can lead to recommendations and insights from fellow listeners.
Optimizing Your WBGO.org Playlist Experience
To make the most of your WBGO.org journey, consider these tips:
Bookmark your Favorite Shows: Keep quick access to shows you regularly enjoy by bookmarking their pages.
Use a Podcast App: Many of WBGO's shows are available as podcasts. Subscribing through an app allows for convenient access on your phone or other devices.
Create Your Own Playlists: While WBGO doesn’t offer a user-created playlist function on their website, you can create your own playlists using a music management app by downloading the audio files (if permitted).
Check for Updates Regularly: WBGO's programming and online content are constantly evolving, so check back regularly to discover new shows and features.
Provide Feedback: If you have suggestions or feedback, share them with WBGO. They value listener input.
Blog Post Outline: WBGO.org Playlist – Your Guide to Jazz, Blues, and More
I. Introduction: Hooking the reader, introducing WBGO.org and its rich musical content, outlining the post's purpose.
II. Accessing the WBGO.org Playlist: Step-by-step guide to finding and using various methods of accessing their audio content (live stream, on-demand, program pages, search, social media).
III. Discovering Hidden Gems: Strategies for finding less-obvious but valuable musical content within WBGO.org (related artists, archives, program descriptions, special programming, community engagement).
IV. Optimizing Your WBGO.org Experience: Tips and tricks for maximizing your enjoyment and efficiency (bookmarking, podcast apps, creating personal playlists, checking for updates, providing feedback).
V. Conclusion: Summarizing key takeaways and encouraging readers to embark on their own WBGO.org musical journey.
FAQs
1. Can I download audio from WBGO.org? The ability to download audio depends on the specific content and any copyright restrictions. Check the individual program pages or terms of service for clarification.
2. Is there a WBGO.org mobile app? Currently, there isn’t a dedicated WBGO.org mobile app, but you can access their live stream and podcasts via your mobile browser or through podcast apps.
3. What genres of music are featured on WBGO.org? WBGO primarily focuses on jazz, but also features blues, gospel, Latin jazz, and other related genres.
4. How can I contact WBGO with questions or feedback? Their website should have contact information, such as email addresses or phone numbers.
5. Are there any subscription fees to access WBGO.org content? No, the majority of their content is free to access, supported by donations and public funding.
6. How often is the programming schedule updated? Check their website for the most up-to-date information on programming schedules. Schedules may change without much notice.
7. Can I listen to WBGO.org outside the US? Usually, yes, but the availability may depend on your location and internet connection.
8. Are there any limitations on how much content I can access? There may be restrictions on some archived content, but generally, you have access to a wide range of programming.
9. What if I have trouble accessing a specific program or piece of content? Try refreshing the page or contacting WBGO directly through the contact information on their website.
Related Articles
1. Exploring the History of Jazz on WBGO: A deep dive into the station's history and its role in promoting jazz music.
2. The Best Jazz Albums Featured on WBGO in 2024: A curated list of top albums featured throughout the year.
3. Interview with a WBGO Host: Insights into Programming: An interview with a prominent host revealing the process of selecting music and guests.
4. WBGO's Influence on the New Jersey Music Scene: How WBGO has impacted and supported the growth of music in the region.
5. Understanding WBGO's Fundraising Efforts: Information about how WBGO operates as a public radio station and how listeners can support them.
6. A Beginner's Guide to Jazz Music: A simple introduction to various jazz subgenres and famous artists.
7. The Evolution of Blues Music as Featured on WBGO: Exploring the rich history of blues and its representation on WBGO.
8. Discovering Latin Jazz Through WBGO's Programming: A guide to exploring the vibrant world of Latin Jazz through WBGO's playlists and programs.
9. Gospel Music on WBGO: A Spiritual Journey: Highlighting the soulful gospel music showcased on WBGO.
| wbgoorg playlist: Welcome to Jazz Carolyn Sloan, 2019-10-15 AN INTERACTIVE, SWING-ALONG PICTURE BOOK—WITH 12 SOUND CHIPS! Are you ready to swing? Discover the wonders of jazz: How to get in the groove, what it means to play a solo, and the joy of singing along in a call-and-response. In this interactive swing-along picture book with 12 sound chips, you’ll hear the instruments of jazz—the rhythm section with its banjo, drums, and tuba, and the leads, like the clarinet, trumpet, and trombone. And you’ll hear singers scat, improvising melodies with nonsense syllables like be-bop and doo-we-ah! Along the way, you’ll learn how this unique African American art form started in New Orleans, and how jazz changed over time as innovative musicians like King Oliver, Louis Armstrong, Duke Ellington, and Billie Holiday added their own ideas to it. Press the buttons to hear the band, the rhythms, and the singer calling out: “OH WHEN THE SAINTS—oh when the saints…” |
| wbgoorg playlist: Celebrating Bird Gary Giddins, 2013-09-01 Within days of Charlie “Bird” Parker’s death at the age of thirty-four, a scrawled legend began appearing on walls around New York City: Bird Lives. Gone was one of the most outstanding jazz musicians of any era, the troubled genius who brought modernism to jazz and became a defining cultural force for musicians, writers, and artists of every stripe. Arguably the most significant musician in the country at the time of his death, Parker set the standard many musicians strove to reach—though he never enjoyed the same popular success that greeted many of his imitators. Today, the power of Parker’s inventions resonates undiminished; and his influence continues to expand. Celebrating Bird is the groundbreaking and award-winning account of the life and legend of Charlie Parker from renowned biographer and critic Gary Giddins, whom Esquire called “the best jazz writer in America today.” Richly illustrated and drawing primarily from original sources, Giddins overturns many of the myths that have grown up around Parker. He cuts a fascinating portrait of the period, from Parker’s apprentice days in the 1930s in his hometown of Kansas City to the often difficult years playing clubs in New York and Los Angeles, and reveals how Parker came to embody not only musical innovation and brilliance but the rage and exhilaration of an entire generation. Fully revised and with a new introduction by the author, Celebrating Bird is a classic of jazz writing that the Village Voice heralded as “a celebration of the highest order”—a portrayal of a jazz virtuoso whose gargantuan talent was haunted by his excesses and a view into the ravishing art of one of jazz’s most commanding and remarkable figures. |
| wbgoorg playlist: Conversations in Jazz Ralph J. Gleason, 2016-05-28 During his nearly forty years as a music journalist, Ralph J. Gleason recorded many in-depth interviews with some of the greatest jazz musicians of all time. These informal sessions, conducted mostly in Gleason’s Berkeley, California, home, have never been transcribed and published in full until now. This remarkable volume, a must-read for any jazz fan, serious musician, or musicologist, reveals fascinating, little-known details about these gifted artists, their lives, their personas, and, of course, their music. Bill Evans discusses his battle with severe depression, while John Coltrane talks about McCoy Tyner's integral role in shaping the sound of the Coltrane quartet, praising the pianist enthusiastically. Included also are interviews with Dizzy Gillespie, Sonny Rollins, Quincy Jones, Jon Hendricks, and the immortal Duke Ellington, plus seven more of the most notable names in twentieth-century jazz. |
| wbgoorg playlist: The Tenacity of the Cockroach Stephen Thompson, 2002 Presents a selection of interviews with some of the entertainment world's most important directors, creators, writers, actors, and musicians who discuss their unique careers. |
| wbgoorg playlist: Soul Jazz Bob Porter, 2016-11-10 Soul Jazz is a history of jazz and its reception in the black community in the period from the end of World War II until the end of the Vietnam War. Previous histories reflect the perspective of an integrated America, yet the United States was a segregated country in 1945. The black audience had a very different take on the music and that is the perception explored in Soul Jazz. |
| wbgoorg playlist: From Jim Crow to Jay-Z Miles White, 2011-11-14 This multilayered study of the representation of black masculinity in musical and cultural performance takes aim at the reduction of African American male culture to stereotypes of deviance, misogyny, and excess. Broadening the significance of hip-hop culture by linking it to other expressive forms within popular culture, Miles White examines how these representations have both encouraged the demonization of young black males in the United States and abroad and contributed to the construction of their identities. From Jim Crow to Jay-Z traces black male representations to chattel slavery and American minstrelsy as early examples of fetishization and commodification of black male subjectivity. Continuing with diverse discussions including black action films, heavyweight prizefighting, Elvis Presley's performance of blackness, and white rappers such as Vanilla Ice and Eminem, White establishes a sophisticated framework for interpreting and critiquing black masculinity in hip-hop music and culture. Arguing that black music has undeniably shaped American popular culture and that hip-hop tropes have exerted a defining influence on young male aspirations and behavior, White draws a critical link between the body, musical sound, and the construction of identity. |
| wbgoorg playlist: Ode to a Tenor Titan Bill Milkowski, 2021-10-01 After John Coltrane, there was no more revered and profoundly influential saxophonist on the planet than Michael Brecker. For those coming of age in the 1970s, during that transitional decade when the boundaries between rock and jazz had begun to blur, Brecker stood as a transcendent figure. He was their Trane. Ode to a Tenor Titan follows Michael's story from growing up in Philadelphia, finding his tenor sax voice during his brief stint at Indiana University, making his move to New York City in 1969 and taking the Big Apple by storm through the sheer power of his monstrous chops on the instrument. A commanding voice in jazz for four decades, Brecker possessed peerless technique (a byproduct of his remarkable work ethic and relentless woodshedding) and an uncanny ability to fit into every musical situation he encountered, whether it was as a ubiquitous studio musician (more than nine hundred sessions) for such pop stars as Paul Simon, James Taylor, Bruce Springsteen, Todd Rundgren, Chaka Khan, and Steely Dan; playing with seminal fusion bands like Dreams, Billy Cobham, and the Brecker Brothers; or collaborating with the likes of Frank Zappa, Charles Mingus, Pat Metheny, and Herbie Hancock. But his biggest triumphs came as a bandleader during the last twenty years of his career, when he produced some of the most challenging, inspired, and visionary modern jazz recordings of his time. A preternaturally gifted player whose facility seemed almost superhuman, he was also modest to a fault and universally beloved by fellow musicians. After coming through a dark decade of heroin addiction, he turned his life around and became a beacon for countless others to lead clean and sober lives. At the peak of his powers, he was struck down by a rare preleukemic blood disease that sidelined him for two and a half years. He got off a sick bed to make a heroic comeback with his swan song, Pilgrimage, which Pat Metheny called one of the great codas in modern music history and which earned him a posthumous Grammy Award in 2007. Michael Brecker was a player of tremendous heart and conviction as well a person of rare humility and kindness, and his story is one for the ages. |
| wbgoorg playlist: I Walked With Giants Jimmy Heath, Joseph McLaren, Composer of more than 100 jazz pieces, three-time Grammy nominee, and performer on more than 125 albums, Jimmy Heath has earned a place of honor in the history of jazz. Over his long career, Heath knew many jazz giants such as Charlie Parker and played with other innovators including John Coltrane, Miles Davis, and especially Dizzy Gillespie. Heath also won their respect and friendship. In this extraordinary autobiography, the legendary Heath creates a “dialogue” with musicians and family members. As in jazz, where improvisation by one performer prompts another to riff on the same theme, I Walked with Giants juxtaposes Heath’s account of his life and career with recollections from jazz giants about life on the road and making music on the world’s stages. His memories of playing with his equally legendary brothers Percy and Albert (aka “Tootie”) dovetail with their recollections. Heath reminisces about a South Philadelphia home filled with music and a close-knit family that hosted musicians performing in the city’s then thriving jazz scene. Milt Jackson recalls, “I went to their house for dinner...Jimmy’s father put Charlie Parker records on and told everybody that we had to be quiet till dinner because he had Bird on.... When I [went] to Philly, I’d always go to their house.” Today Heath performs, composes, and works as a music educator and arranger. By turns funny, poignant, and extremely candid, Heath’s story captures the rhythms of a life in jazz. |
| wbgoorg playlist: Playing Changes Nate Chinen, 2019-07-23 One of the Best Books of the Year: NPR, GQ, Billboard, JazzTimes In jazz parlance, “playing changes” refers to an improviser’s resourceful path through a chord progression. In this definitive guide to the jazz of our time, leading critic Nate Chinen boldly expands on that idea, taking us through the key changes, concepts, events, and people that have shaped jazz since the turn of the century—from Wayne Shorter and Henry Threadgill to Kamasi Washington and Esperanza Spalding; from the phrase “America’s classical music” to an explosion of new ideas and approaches; from claims of jazz’s demise to the living, breathing scene that exerts influence on mass culture, hip-hop, and R&B. Grounded in authority and brimming with style, packed with essential album lists and listening recommendations, Playing Changes takes the measure of this exhilarating moment—and the shimmering possibilities to come. |
| wbgoorg playlist: Weird Like Us Ann Powers, 2000 Describes the various subcultures trying to reshape America today, and includes interviews with modern bohemians, who share their views on life. |
| wbgoorg playlist: Black Music LeRoi Jones (Amiri Baraka), 2023-12-04 A maioria dos críticos de jazz até agora são americanos brancos, enquanto os principais músicos não Black Music: free jazz e consciência negra (1959-1967), de Amiri Baraka (LeRoi Jones), é um dos exercícios mais radicais e selvagens de crítica musical que já foi posto em prática. Nestes ensaios, resenhas, entrevistas, encartes, crônicas e impressões pessoais publicados entre 1959 e 1967, Baraka retrata a florescente cena do free jazz, um movimento que envolveu o aprofundamento das inovações sonoras do bebop e a recuperação do jazz como expressão autêntica da cultura afro-estadunidense em uma época em que seu sucesso comercial a tornava um gênero padronizado e palatável para a amérikkka branca. Figura central e unificadora do movimento Beat nos anos 50 e Black Power nas décadas seguintes, Amiri lança mão de uma linguagem elétrica e furiosa que reflete a liberdade de improvisação do free jazz para deixar claro que essa música só pode ser compreendida como parte de um conjunto de experiências, que ao longo do século XX, moldaram uma nova consciência do que significava ser negro nos Estados Unidos. E é por isso que os seus intérpretes, entre os quais se destacam John Coltrane, Ornette Coleman, Archie Shepp, Sun Ra, Thelonious Monk, Albert Ayler, Pharoah Sanders, Sonny Rollins, Don Cherry, Wayne Shorter e Cecil Taylor, devem ser considerados, além de grandes músicos: intelectuais ou místicos, ou ambos. |
| wbgoorg playlist: Don't Ever Lose Your Walk Ledisi Young, 2020-01-23 Many people know me as a recording artist with an enormous gift, but there is so much more to me. In regaining my power to complete my book, the right way, I have learned how to conquer rejection, depression and more recently deceit. I made a commitment to myself to feel proud of every step and every goal, at every level, as much as I possibly can. Even my mistakes are shared in this book. This book is my way of reminding others to embrace every part of their journey. Our life as a whole is important, all of it - the highs, the lows, the challenges, and everything in between. In all of it, there is a lesson.- Ledisi |
| wbgoorg playlist: Contemporary Latin JAzz Guitar Neff Irizarry, 2nd, 2021-11-20 A complete guide to playing Latin music on guitar |
| wbgoorg playlist: New York and the International Sound of Latin Music, 1940-1990 Benjamin Lapidus, 2020-12-28 New York City has long been a generative nexus for the transnational Latin music scene. Currently, there is no other place in the Americas where such large numbers of people from throughout the Caribbean come together to make music. In this book, Benjamin Lapidus seeks to recognize all of those musicians under one mighty musical sound, especially those who have historically gone unnoticed. Based on archival research, oral histories, interviews, and musicological analysis, Lapidus examines how interethnic collaboration among musicians, composers, dancers, instrument builders, and music teachers in New York City set a standard for the study, creation, performance, and innovation of Latin music. Musicians specializing in Spanish Caribbean music in New York cultivated a sound that was grounded in tradition, including classical, jazz, and Spanish Caribbean folkloric music. For the first time, Lapidus studies this sound in detail and in its context. He offers a fresh understanding of how musicians made and formally transmitted Spanish Caribbean popular music in New York City from 1940 to 1990. Without diminishing the historical facts of segregation and racism the musicians experienced, Lapidus treats music as a unifying force. By giving recognition to those musicians who helped bridge the gap between cultural and musical backgrounds, he recognizes the impact of entire ethnic groups who helped change music in New York. The study of these individual musicians through interviews and musical transcriptions helps to characterize the specific and identifiable New York City Latin music aesthetic that has come to be emulated internationally. |
| wbgoorg playlist: Swing City Barbara J. Kukla, 2002 New Jersey is one of the smallest and most densely populated states, yet the remarkable diversity of its birdlife surpasses that of many larger states. Well over 400 species of birds have been recorded in New Jersey and an active birder can hope to see more than 300 species in a year.William J. Boyle has updated his classic guide to birding in New Jersey, featuring all new maps and ten new illustrations. The book is an invaluable companion for every birder - novice or experienced, New Jerseyan or visitor.A Guide to Bird Finding in New Jersey features: More than 130 top birding spots described in detailClear maps, travel directions, species lists, and notes on birdingAn annotated list of the frequency and abundance of the state's birds, including waterbirds, pelagic birds, raptors, migrating birds, and northern and southern birds at the edge of their usual rangesA comprehensive bibliography and indexThe guide also includes helpful information on: Birding in New Jersey by seasonTelephone and internet rare bird alertsPelagic birdingHawk watchingBird and nature clubs in the state |
| wbgoorg playlist: Murder Falcon Daniel Warren Johnson, 2019-07-10 The world is under attack by hideous monsters, and Jake's life is falling apart until he meets Murder Falcon. He was sent from The Heavy to destroy all evil, but he can't do it without Jake shredding up a storm. Now, with every chord Jake plays on his guitar, the power of metal fuels Murder Falcon into all-out kung fu fury on those that seek to conquer Earth! From DANIEL WARREN JOHNSON creator of the Eisner-nominated EXTREMITY comes MURDER FALCON! GET READY TO SHRED! Collects MURDER FALCON #1-8 |
| wbgoorg playlist: Myself When I am Real Gene Santoro, 2001-11-29 Charles Mingus was one of the most innovative jazz musicians of the 20th Century, and ranks with Ives and Ellington as one of America's greatest composers. By temperament, he was a high-strung and sensitive romantic, a towering figure whose tempestuous personal life found powerfully coherent expression in the ever-shifting textures of his music. Now, acclaimed music critic Gene Santoro strips away the myths shrouding Jazz's Angry Man, revealing Mingus as more complex than even his lovers and close friends knew. A pioneering bassist and composer, Mingus redefined jazz's terrain. He penned over 300 works spanning gutbucket gospel, Colombian cumbias, orchestral tone poems, multimedia performance, and chamber jazz. By the time he was 35, his growing body of music won increasing attention as it unfolded into one pioneering musical venture after another, from classical-meets-jazz extended pieces to spoken-word and dramatic performances and television and movie soundtracks. Though critics and musicians debated his musical merits and his personality, by the late 1950s he was widely recognized as a major jazz star, a bellwether whose combined grasp of tradition and feel for change poured his inventive creativity into new musical outlets. But Mingus got headlines less for his art than for his volatile and often provocative behavior, which drew fans who wanted to watch his temper suddenly flare onstage. Impromptu outbursts and speeches formed an integral part of his long-running jazz workshop, modeled partly on dramatic models like Orson Welles' Mercury Theatre. Keeping up with the organized chaos of Mingus's art demanded gymnastic improvisational skills and openness from his musicians-which is why some of them called it the Sweatshop. He hired and fired musicians on the bandstand, attacked a few musicians physically and many more verbally, twice threw Lionel Hampton's drummer off the stage, and routinely harangued chattering audiences, once chasing a table of inattentive patrons out of the FIVE SPOT with a meat cleaver. But the musical and mental challenges this volcanic man set his bands also nurtured deep loyalties. Key sidemen stayed with him for years and even decades. In this biography, Santoro probes the sore spots in Mingus's easily wounded nature that helped make him so explosive: his bullying father, his interracial background, his vulnerability to women and distrust of men, his views of political and social issues, his overwhelming need for love and acceptance. Of black, white, and Asian descent, Mingus made race a central issue in his life as well as a crucial aspect of his music, becoming an outspoken (and often misunderstood) critic of racial injustice. Santoro gives us a vivid portrait of Mingus's development, from the racially mixed Watts where he mingled with artists and writers as well as mobsters, union toughs, and pimps to the artistic ferment of postwar Greenwich Village, where he absorbed and extended the radical improvisation flowing through the work of Allen Ginsberg, Jackson Pollock, and Charlie Parker. Indeed, unlike Most jazz biographers, Santoro examines Mingus's extra-musical influences--from Orson Welles to Langston Hughes, Farwell Taylor, and Timothy Leary--and illuminates his achievement in the broader cultural context it demands. Written in a lively, novelistic style, Myself When I Am Real draws on dozens of new interviews and previously untapped letters and archival materials to explore the intricate connections between this extraordinary man and the extraordinary music he made. |
| wbgoorg playlist: Lee Konitz Andy Hamilton, Lee Konitz, 2007-08-08 With a foreword by Joe Lovano, an oral biography of the preeminent alto saxophonist of cool jazz |
| wbgoorg playlist: Uptown Conversation Robert G. O'Meally, Brent Hayes Edwards, Farah Jasmine Griffin, 2004 'Uptown Conversation' asserts that jazz is not only a music to define, it is a culture. The essays illustrate how for more than a century jazz has initiated a call and response across art forms, geographies, and cultures, inspiring musicians, filmmakers,painters and poets. |
| wbgoorg playlist: The New Grove Dictionary of Jazz Barry Dean Kernfeld, 2002 |
| wbgoorg playlist: I Got Thunder LaShonda Barnett, 2007-10-26 In this often fascinating, nostalgic, and thoroughly moving collection of 20 interviews, author LaShonda Katrice Barnett offers a rare glimpse into the careers of the world's prominent black women performing singers and songwriters. Marking an unprecedented exploration of the musical styles and careers of twenty black women performing songwriters, I Got Thunder represents practically all genres-folk, jazz, neo soul, hip-hop, rhythm and blues, and traditional blues. Barnett's interviews are accompanied by brief biographies and selected discographies for each of the influential artists included.Discussing their influences, inspirations and creative processes are: Abbey Lincoln, Angelique Kidjo, Brenda Russell, Chaka Khan, Dianne Reeves, Dionne Warwick, Joan Armatrading, Miriam Makeba, Narissa Bond, Nina Simone, Nona Hendryx, Odetta, Oleta Adams, Pamela Means, Patti Cathcart Andress (of Tuck & Patti), Shemekia Copeland, Shirley Caesar, Tokunbo Akinro, Toshi Reagon, and Tramaine Hawkins. |
| wbgoorg playlist: Tori Amos: Piece By Piece Tori Amos, Ann Powers, 2023-12-14 Written with acclaimed music journalist Ann Powers, Piece By Piece is a revelatory account of the most intimate details of Tori Amos's private and public lives. Tori reveals the specifics of her creative process and the way in which she balances her life as a writer and performer with the demands of family life. With photos taken especially for this book by award-winning photographer Loren Haynes, Piece By Piece is a rare treat for all Tori devotees. |
| wbgoorg playlist: Gene Smith's Sink Sam Stephenson, 2017-08-22 An incisive biography of the prolific photo-essayist W. Eugene Smith; In an interview with Philippe Halsman, W. Eugene Smith remarked: I didn't write the rules, why should I follow them? Famously unabashed, Smith is photography's most celebrated humanist. During his reign as a photo-essayist at Life magazine in the 1940s and 1950s, he established himself as an intimate chronicler of human culture. His photographs of jazz musicians, disasters, doctors, and midwives revolutionized the role that image-making played in journalism, transforming photography for decades to come. In 1997, lured by the intoxicating trail of people that emerged from Smith's stupefying archive, Sam Stephenson set out to research those who knew him from various angles. In Gene Smith's Sink, Stephenson revives Smith's life and legacy, merging traditional biography with highly untraditional digressions. Traveling across twenty-nine states, Japan, and the Pacific, Stephenson tracks down a lively cast of characters, including the playwright Tennessee Williams, to whom Smith likened himself; the avant-garde filmmaker Stan Brakhage, with whom he once shared a chalet; the artist Mary Frank, who was married to his friend Robert Frank; and Thelonious Monk and Sonny Clark, whom Smith recorded on surreptitious tapes. The result of twenty years of research, Gene Smith's Sink is an unprecedented look into the photographer's beguiling legacy and the subjects around him-- |
| wbgoorg playlist: A Call to Conscience Clayborne Carson, Kris Shepard, 2002-01-01 This collection includes the text of Dr. King's best-known oration, I Have a Dream, his acceptance speech for the Nobel Peace Prize, and Beyond Vietnam, a compelling argument for ending the ongoing conflict. Each speech has an insightful introduction on the current relevance of Dr. King's words by such renowned defenders of civil rights as Rosa Parks, the Dalai Lama, and Ambassador Andrew Young, among others. |
| wbgoorg playlist: Better Git It in Your Soul Krin Gabbard, 2016-02-08 This biography traces the output of jazz master Charles Mingus--his recordings, his compositions, and his writings--highlighting key moments in his life and musicians who influenced him and were influenced by him. As a young man, Mingus played with Louis Armstrong as well as with Kid Ory. Mingus also played in bands led by Duke Ellington, Charlie Parker, Lionel Hampton, Red Norvo, Art Tatum, and many others. He began leading his own bands in New York City in 1955. Eric Dolphy, Rahsaan Roland Kirk, Jimmy Knepper, Jackie McLean, Toshiko Akiyoshi, Cat Anderson, and Jaki Byard are among the many distinguished jazz artists who made music with Mingus during the 1950s, 1960s, and 1970s. In addition to leaving behind a large collection of compelling recordings by large and small units, Mingus was also a talented writer. His autobiography, Beneath the Underdog: His World Composed by Mingus, is unlike any other book by a major jazz artist. Mingus creates vivid portraits of the many people who passed through his life and tells his story with compelling prose. Mingus also wrote a good deal of poetry and prose, all of it reflecting his unique vision. In 1977 he was diagnosed with amyotrophic lateral sclerosis. After several months of steady deterioration, he died in 1979 in Mexico--Provided by publisher. |
| wbgoorg playlist: Big Day Coming Jesse Jarnow, 2012-06-05 The first biography of Yo La Tengo, the massively influential band who all but defined indie music. Yo La Tengo has lit up the indie scene for three decades, part of an underground revolution that defied corporate music conglomerates, eschewed pop radio, and found a third way. Going behind the scenes of one of the most remarkable eras in American music history, Big Day Coming traces the patient rise of husband-and-wife team Ira Kaplan and Georgia Hubley, who—over three decades—helped forge a spandex-and-hairspray-free path to the global stage, selling millions of records along the way and influencing countless bands. Using the continuously vital Yo La Tengo as a springboard, Big Day Coming uncovers the history of the legendary clubs, bands, zines, labels, record stores, college radio stations, fans, and pivotal figures that built the infrastructure of the now-prevalent indie rock world. Journalist and freeform radio DJ Jesse Jarnow draws on all-access interviews and archives for mesmerizing trip through contemporary music history told through one of its most creative and singular acts. |
| wbgoorg playlist: Dust & Grooves Eilon Paz, 2015-09-15 A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community. |
| wbgoorg playlist: Soundtrack to a Movement Richard Brent Turner, 2021-04-27 **FINALIST for the 2022 PROSE Award in Music & the Performing Arts** **Certificate of Merit, Best Historical Research on Recorded Jazz, given by the 2022 Association for Recorded Sounds Collection Awards for Excellence in Historical Sound Research** Explores how jazz helped propel the rise of African American Islam during the era of global Black liberation Amid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X’s emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp’s sentiment, recognizing that Coltrane’s music represented the very passion, rage, rebellion, and love that Malcolm X preached. Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and ’50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared—Black affirmation, freedom, and self-determination—were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic “cool” that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa. |
| wbgoorg playlist: A Tribute To-- Ella Fitzgerald Ella Fitzgerald, 1999 |
| wbgoorg playlist: Latina/o Stars in U.S. Eyes Mary Beltrán, 2009 A penetrating analysis of the construction of Latina/o stardom in U.S. film, television, and celebrity culture since the 1920s |
| wbgoorg playlist: Modern Chords Vic Juris, 2013-06-06 One of the world's great jazz guitarists, Vic Juris shares his insight into the wonderful world of harmony in this book. Not for the fainthearted, Vic teaches polychords and intervallic structures derived from the major, minor, harmonic minor, melodic minor and harmonic major scales in this must have jazz guitar book. Each section has etudes that will help students integrate each concept into their own playing. Includes access to online audio that gives students the opportunity to hear and play along with these cutting edge concepts |
| wbgoorg playlist: Sinatra! The Song Is You Will Friedwald, Tony Bennett, 2018-05-01 Frank Sinatra was the greatest entertainer of his age, invigorating American popular song with innovative phrasing and a mastery of drama and emotion. Drawing upon interviews with hundreds of his collaborators as well as with The Voice himself, this book chronicles, critiques, and celebrates his five-decade career. Will Friedwald examines and evaluates all the classic and less familiar songs with the same astute, witty perceptions that earned him acclaim for his other books about jazz and pop singing. Now completely revised and updated, and including an authoritative discography and rare photos of recording sessions and performances, Sinatra! The Song Is You is an invaluable resource for enthusiasts and an unparalleled guide through Sinatra's vast musical legacy. |
| wbgoorg playlist: We'll Always Have Casablanca: The Life, Legend, and Afterlife of Hollywood's Most Beloved Movie Noah Isenberg, 2017-02-14 A Los Angeles Times bestseller A New York Times Book Review “Editor’s Choice” Selection “Even the die-hardest Casablanca fan will find in this delightful book new ways to love the movie they were certain they could never love more.” —Sam Wasson, best-selling author of Fifth Avenue, 5 A.M. Casablanca is “not one movie,” Umberto Eco once quipped; “it is ‘movies.’” Film historian Noah Isenberg’s We’ll Always Have Casablanca offers a rich account of the film’s origins, the myths and realities behind its production, and the reasons it remains so revered today, over seventy-five years after its premiere. |
| wbgoorg playlist: A Stranger's Pose Emmanuel Iduma, 2018 A mesmerising collection of striking travel snapshots |
| wbgoorg playlist: 101 Hammond B-3 Tips Brian Charette, 2014-12-01 (Piano Instruction). This book contains tips, suggestions, advice, musical examples, helpful audio, and other useful information garnered through a lifetime of Hammond organ study and professional gigging. Included in the book are dozens of entries gleaned from firsthand experience, including: funky scales and modes; unconventional harmonies; creative chord voicings; cool drawbar settings; ear-grabbing special effects; professional gigging advice; practicing effectively; making good use of the pedals; and much more! Grammy-nominated Hammond organist Brian Charette has established himself as a leading voice in modern jazz. An integral part of the New York City jazz scene, he was worked with such notable artists as Joni Mitchell, Chaka Khan, Lou Donaldson, and countless others. Brian regularly writes master classes for Keyboard magazine and is a Nord-endorsed artist. He also gives seminars and teaches private lessons all over the world. |
| wbgoorg playlist: Mingus/Mingus Janet Coleman, 1991 Two friends of the late jazz musician and composer relate their memories of him as their guide in the flamboyent literary art world of the Eisenhower/Kennedy era, and as an abiding presence in their lives |
| wbgoorg playlist: A Conguero's Conguero Bella Martínez, 2020 This is the memoir of the conguero who made his way into the world of music to become one of the most influential percussionists in salsa. |
| wbgoorg playlist: Rock She Wrote Evelyn McDonnell, Ann Powers, 1999 Brings together music criticism, fan experience, and performers' first person accounts from more that 60 women writers for 1960s to the 1990s. |
| wbgoorg playlist: Bowker's News Media Directory , 2004 |
| wbgoorg playlist: Strive From Within Jazzmeia Janea Horn, 2020-08-21 Jazzmeia Horn, a multi-award winning Jazz Artist based in the United States, has written a book about her experiences while composing and arranging Love and Liberation. The book Strive From Within: The Jazzmeia Horn Approach features the music of Love and Liberation and focuses on sharing Jazzmeia's knowledge on using her voice as an artist and a woman in the man dominated Jazz industry. The first of its kind, the book teaches singers how to serve Jazz music along with the many roles of a good vocalist. Thus Jazzmeia's Approach, a more cultured perspective, balances Jazz's rich history in the African American experience and the spirituality of its essence. Jazzmeia seeks to share with students her self taught expression which brings about liberation, healing, and self love. Jazzmeia feels her unique expression helps to foster a deep and lasting connection with her listeners and, ultimately, is her gift to the art form. Jazzmeia emphasizes on what she calls the Four Elements of Focus The Art of Storytelling, Sing Your Own Song, My Stage Is My Altar, and Everybody's Got Style. |
