The Gospel At Colonus Getty Villa

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The Gospel at Colonus at the Getty Villa: A Deep Dive into Sophocles' Masterpiece and its Stunning Setting



Introduction:

Imagine stepping back in time, transported to ancient Athens. The air hums with the weight of tragedy and the beauty of soaring verse. You're not merely reading Sophocles' Oedipus at Colonus; you're experiencing it, immersed in the breathtaking setting of the Getty Villa. This post delves into the captivating production of The Gospel at Colonus at the Getty Villa, exploring its artistic merit, historical context, and the unique synergy between the play and its extraordinary location. We'll unpack the play's themes, its staging, the impact of the Getty Villa setting, and the overall experience for both performers and audience members. Prepare to be transported to a world of profound storytelling, ancient drama, and unforgettable theatrical magic.


1. Sophocles' Oedipus at Colonus: A Timeless Tragedy

Before exploring the Getty Villa production, we must understand the source material. Oedipus at Colonus, the final play in Sophocles' Oedipus trilogy, depicts the aged Oedipus, exiled and blind, finding solace and a strange form of redemption in the sacred grove of Colonus near Athens. This isn't a tale of simple revenge or triumph; it's a meditation on suffering, justice, fate, and the complex relationship between humanity and the divine. The play explores themes of family, piety, the fragility of power, and the ultimate acceptance of one's destiny. Oedipus, despite his horrific past actions, achieves a certain peace and even a kind of heroic status through his suffering and eventual death. Understanding these core themes is crucial to appreciating the Getty Villa production's success.


2. The Getty Villa: A Perfect Setting for Ancient Greek Drama

The Getty Villa itself is a masterpiece of archaeological recreation. Inspired by the villas of ancient Greece and Rome, its architecture, landscaping, and collection of antiquities create a remarkably authentic setting. The open-air theatre, with its stunning backdrop of gardens and the Pacific Ocean, provides an unparalleled ambiance for a performance of Oedipus at Colonus. The natural beauty enhances the play's themes of nature, fate, and the passage of time. The proximity of the audience to the actors, echoing the intimate nature of ancient Greek theatre, fosters a unique connection between performer and spectator.


3. Staging The Gospel at Colonus: A Fusion of Ancient and Modern

The production of The Gospel at Colonus at the Getty Villa cleverly blends elements of ancient Greek theatrical conventions with modern theatrical techniques. While adhering to the spirit and structure of the original text, directors often incorporate innovative staging choices, lighting design, and costume choices to enhance the emotional impact of the play. The use of the Villa's architecture, natural light, and landscaping becomes an integral part of the storytelling, creating a multi-sensory experience that transcends a purely textual interpretation. The specific choices made – the directorial vision, costume design, and set pieces – dramatically influence the audience's perception of the play.


4. The Impact of the Setting on Audience Experience

The Getty Villa's setting is not merely a backdrop; it's an active participant in the theatrical experience. The grandeur of the architecture, the beauty of the gardens, and even the sound of the ocean all contribute to a heightened sense of immersion. This immersive environment encourages active listening and heightened emotional engagement. The audience isn't simply observing a play; they are actively participating in the creation of meaning, connecting the timeless themes of Sophocles' work with the tangible reality of the breathtaking setting. The unique atmosphere of the Getty Villa elevates the experience from a passive viewing to an active engagement with the text and its themes.


5. The Actors' Role in Bringing the Play to Life

The actors performing in The Gospel at Colonus at the Getty Villa carry a significant responsibility. They must not only embody the characters of Sophocles' text with depth and nuance but also interact organically with the unique setting. The performance demands a special kind of physical and emotional presence, requiring actors to connect with the audience in an intimate and meaningful way. Their ability to effectively convey the emotional weight of Oedipus's journey, within the context of the extraordinary location, significantly shapes the audience's overall experience.


6. The Legacy and Continuing Relevance of The Gospel at Colonus

The production of The Gospel at Colonus at the Getty Villa is not simply a performance; it's a powerful statement about the enduring relevance of ancient Greek drama. The play's themes of suffering, redemption, and the search for meaning continue to resonate with contemporary audiences. The choice of setting further underlines the timeless nature of Sophocles' work, demonstrating the enduring power of storytelling to transcend time and culture. The play’s exploration of themes like exile, family conflict, and the acceptance of fate remains surprisingly relevant in our modern world.


7. A Detailed Outline of the Content:

Title: The Gospel at Colonus at the Getty Villa: A Deep Dive into Sophocles' Masterpiece and its Stunning Setting

Introduction: Hooking the reader and providing an overview of the article.
Chapter 1: Examining Sophocles’ Oedipus at Colonus – its themes and historical context.
Chapter 2: The Getty Villa's architecture and landscape as a perfect setting for ancient Greek drama.
Chapter 3: Exploring the staging choices in the Getty Villa production – blending ancient and modern techniques.
Chapter 4: Analyzing the impact of the setting on the audience experience.
Chapter 5: Highlighting the actors' crucial role in bringing the play to life in this unique setting.
Chapter 6: Discussing the legacy and continuing relevance of the play and its production.
Conclusion: Summarizing key insights and reinforcing the article's central arguments.


8. Frequently Asked Questions (FAQs)

1. Where is the Getty Villa located? The Getty Villa is located in Malibu, California.

2. Is the Getty Villa open year-round? Yes, but check the Getty Villa website for specific hours and potential closures.

3. Are tickets required for the theatre performances? Yes, tickets are usually required for all performances at the Getty Villa.

4. What is the seating arrangement like? Seating arrangements vary depending on the production, but often involve outdoor seating, reflecting the style of ancient Greek theatres.

5. How long is the play Oedipus at Colonus? The length of the performance can vary depending on the production, but generally it lasts a couple of hours.

6. Is the play suitable for all ages? While the play deals with mature themes, its suitability for specific age groups depends on individual preferences and maturity levels.

7. What languages are the plays performed in? Usually, performances are in English, with possible subtitles for certain productions.

8. Is there parking available at the Getty Villa? Yes, ample parking is generally available.

9. Are there accessibility options available? The Getty Villa strives to provide accessible options for visitors with disabilities. Check their website for details.


9. Related Articles:

1. Ancient Greek Theatre: A Comprehensive Overview: Explores the history, conventions, and significance of ancient Greek theatre.
2. Sophocles' Oedipus Trilogy: A Critical Analysis: Delves into the themes and structure of Sophocles' three Oedipus plays.
3. The Getty Villa's Architectural Design and Influence: Details the architectural inspiration and influence of the Getty Villa's design.
4. Outdoor Theatre Performances: A Guide to Best Practices: Examines the unique challenges and considerations of outdoor theatre productions.
5. The Role of Costume and Set Design in Greek Tragedy: Analyzes the importance of visual elements in enhancing the theatrical experience.
6. The Impact of Setting on Audience Engagement: Explores the psychological and emotional effects of setting on audience response.
7. Modern Interpretations of Ancient Greek Tragedy: Discusses contemporary adaptations and reinterpretations of classical works.
8. Immersive Theatre Experiences: A New Era of Storytelling: Examines the growing trend of immersive theatre and its potential.
9. The Getty Center and its Collections: A Tourist's Guide: Provides a general overview of the Getty Center and its various attractions.


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  the gospel at colonus getty villa: Cultural Techniques Bernhard Siegert, 2015-05-01 In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.
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  the gospel at colonus getty villa: African American Music Mellonee V. Burnim, Portia K. Maultsby, 2014-11-13 American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify African American music. The second edition has been substantially revised and updated, and includes new essays on African and African American musical continuities, African-derived instrument construction and performance practice, techno, and quartet traditions. Musical transcriptions, photographs, illustrations, and a new audio CD bring the music to life.
  the gospel at colonus getty villa: The Gospel at Colonus Lee Breuer, 1993-01-01 A founding member of the acclaimed New York-based company Mabou Mines, Breuer's gifts as a writer and director have have made him a mainstay of the theatrical avant-garde.
  the gospel at colonus getty villa: Stesichorus Stesichorus, 2014-12-11 Stesichorus' lyric poetry vividly recreates the most dramatic episodes of Greek myth: the labours of Heracles, the sack of Troy, the vengeance of Orestes, and more besides. It can be appreciated today as never before, thanks to the recent discovery of ancient manuscripts buried for some two millennia in the sands of Egypt. This fresh edition of Stesichorus' poems presents the first full-scale analysis of all his surviving works. The detailed introduction and commentary investigate a wide range of key issues, such as Stesichorus' imagery and style, his narrative technique, and his mythological innovations. The controversial question of how Stesichorus' poems were originally performed receives careful scrutiny; particular attention is paid to the fascinating story of the transmission, disappearance, and recovery of his work. A translation integrated with the commentary renders this book accessible to all readers with an interest in early Greek poetry and its legacy.
  the gospel at colonus getty villa: Sight and the Ancient Senses Michael Squire, 2015-12-22 It is to Greek critical thinking about seeing that we owe our conceptual framework for theorizing the senses, and it is also to such thinking that we owe the lasting legacy of Greco-Roman imagery. Sight and the Ancient Senses is the first thorough introduction to the conceptualization of sight in the history, visual culture, literature and philosophy of classical antiquity. Examining how the Greeks and Romans interpreted what they saw, the collection also considers sight in relation to the other senses. This volume brings together a number of interdisciplinary perspectives to deliver a broad and balanced coverage of this subject. Contributors explore the cultural, social and intellectual backdrops that gave rise to ancient theories of seeing, from Archaic Greece through to the advent of Christianity in late antiquity. This series of specially commissioned thematic chapters demonstrate how theories about sight informed Graeco-Roman philosophy, science, poetry rhetoric and art. The collection also reaches beyond its Graeco-Roman visual framework, showcasing how ancient ideas have influenced the longue durée of western sensory thinking. Richly illustrated throughout, including a section of color plates, Sight and the Ancient Senses is a wide-ranging introduction to ancient theories of seeing which will be an invaluable resource for students and scholars of classical antiquity.
  the gospel at colonus getty villa: The Politics Book DK, 2015-03-02 Learn about how the world of government and power works in The Politics Book. Part of the fascinating Big Ideas series, this book tackles tricky topics and themes in a simple and easy to follow format. Learn about Politics in this overview guide to the subject, great for novices looking to find out more and experts wishing to refresh their knowledge alike! The Politics Book brings a fresh and vibrant take on the topic through eye-catching graphics and diagrams to immerse yourself in. This captivating book will broaden your understanding of Politics, with: - More than 100 groundbreaking ideas in the history of political thought - Packed with facts, charts, timelines and graphs to help explain core concepts - A visual approach to big subjects with striking illustrations and graphics throughout - Easy to follow text makes topics accessible for people at any level of understanding The Politics Book is a captivating introduction to the world's greatest thinkers and their political big ideas that continue to shape our lives today, aimed at adults with an interest in the subject and students wanting to gain more of an overview. Delve into the development of long-running themes, like attitudes to democracy and violence, developed by thinkers from Confucius in ancient China to Mahatma Gandhi in 20th-century India, all through exciting text and bold graphics. Your Politics Questions, Simply Explained This engaging overview explores the big political ideas such as capitalism, communism, and fascism, exploring their beginnings and social contexts - and the political thinkers who have made significant contributions. If you thought it was difficult to learn about governing bodies and affairs, The Politics Book presents key information in a clear layout. Learn about the ideas of ancient and medieval philosophers and statesmen, as well as the key personalities of the 16th to the 21st centuries that have shaped political thinking, policy, and statecraft. The Big Ideas Series With millions of copies sold worldwide, The Politics Book is part of the award-winning Big Ideas series from DK. The series uses striking graphics along with engaging writing, making big topics easy to understand.
  the gospel at colonus getty villa: Dürer and Beyond Stijn Alsteens, Freyda Spira, 2012 This exhibition is the first to offer an extensive overview of the Museum's holdings of early Central European drawings, many of which were acquired in the last two decades. An emphasis on works by later sixteenth- and seventeenth-century artists is balanced by a selection of German drawings from the fifteenth and earlier sixteenth century, of which some of the most exceptional ones--including works by Albrecht Deurer--entered the Museum with The Robert Lehman Collection in 1975.--Publisher's website.
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  the gospel at colonus getty villa: Cambodian Rock Band Lauren Yee, 2019 Cambodian Rock Band is not yet available to license. By clicking the Request License button, you can sign up to be notified when this title becomes available. In 1978, Chum fled Cambodia and narrowly escaped the murderous Khmer Rouge regime. Thirty years later he returns in search of his wayward daughter, Neary. Jumping back and forth in time, thrilling mystery meets rock concert as both father and daughter are forced to face the music of the past. From playwright Lauren Yee (King of the Yees, The Great Leap) comes a story filled with horror, humor, pathos, and songs by the best unknown rock band in Cambodia!
  the gospel at colonus getty villa: Hercules Walt Disney, 1997-09
  the gospel at colonus getty villa: Who Needs Classical Music? Julian Johnson, 2011-09-01 During the last few decades, most cultural critics have come to agree that the division between high and low art is an artificial one, that Beethoven's Ninth and Blue Suede Shoes are equally valuable as cultural texts. In Who Needs Classical Music?, Julian Johnson challenges these assumptions about the relativism of cultural judgements. The author maintains that music is more than just a matter of taste: while some music provides entertainment, or serves as background noise, other music claims to function as art. This book considers the value of classical music in contemporary society, arguing that it remains distinctive because it works in quite different ways to most of the other music that surrounds us. This intellectually sophisticated yet accessible book offers a new and balanced defense of the specific values of classical music in contemporary culture. Who Needs Classical Music? will stimulate readers to reflect on their own investment (or lack of it) in music and art of all kinds.
  the gospel at colonus getty villa: The Palgrave Handbook of the History of Women on Stage Jan Sewell, Clare Smout, 2020-04-29 This book brings together nearly 40 academics and theatre practitioners to chronicle and celebrate the courage, determination and achievements of women on stage across the ages and around the globe. The collection stretches from ancient Greece to present-day Australasia via the United States, Soviet Russia, Europe, India, South Africa and Japan, offering a series of analytical snapshots of women performers, their work and the conditions in which they produced it. Individual chapters provide in-depth consideration of specific moments in time and geography while the volume as a whole and its juxtapositions stimulate consideration of the bigger picture, underlining the challenges women have faced across cultures in establishing themselves as performers and the range of ways in which they gained access to the stage. Organised chronologically, the volume looks not just to the past but the future: it challenges the very notions of ‘history’, ‘stage’ and even the definition of ‘women’ itself.
  the gospel at colonus getty villa: American Dervish Ayad Akhtar, 2012-01-09 From the author of Homeland Elegies and Pulitzer Prize winner Disgraced, a stirring and explosive novel about an American Muslim family in Wisconsin struggling with faith and belonging in the pre-9/11 world. Hayat Shah is a young American in love for the first time. His normal life of school, baseball, and video games had previously been distinguished only by his Pakistani heritage and by the frequent chill between his parents, who fight over things he is too young to understand. Then Mina arrives, and everything changes. American Dervish is a brilliantly written, nuanced, and emotionally forceful look inside the interplay of religion and modern life.
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  the gospel at colonus getty villa: Cougar, the Musical Donna Moore, 2014 Cougar The Musical unleashes three divine but disillusioned women who develop a taste for hot, young men. They let their inner cougar roar and purr, finding self-love and empowerment in the process. Cougar the Musical is a madcap ride from Cougar Bar, to nail salon, to boudoir, and back as the women learn to say yes to getting older, yes to trust and friendship and yes to proving that love is ageless. --Page 4 of cover.
  the gospel at colonus getty villa: Disturbing Times Anna Klosowska, Catherine E. Karkov, Vincent W. J. van Gerven Oei, 2020-06-03 From Kehinde Wiley to W.E.B. Du Bois, from Nubia to Cuba, Willie Doherty's terror in ancient landscapes to the violence of institutional Neo-Gothic, Reagan's AIDS policies to Beowulf fanfiction, this richly diverse volume brings together art historians and literature scholars to articulate a more inclusive, intersectional medieval studies. It will be of interest to students working on the diaspora and migration, white settler colonialism and pogroms, Indigenous studies and decolonial methodology, slavery, genocide, and culturecide. The authors confront the often disturbing legacies of medieval studies and its current failures to own up to those, and also analyze fascist, nationalist, colonialist, anti-Semitic, and other ideologies to which the medieval has been and is yoked, collectively formulating concrete ethical choices and aims for future research and teaching.In the face of rising global fascism and related ideological mobilizations, contemporary and past, and of cultural heritage and history as weapons of symbolic and physical oppression, this volume's chapters on Byzantium, Medieval Nubia, Old English, Hebrew, Old French, Occitan, and American and European medievalisms examine how educational institutions, museums, universities, and individuals are shaped by ethics and various ideologies in research, collecting, and teaching.
  the gospel at colonus getty villa: Tangible Religion. Materiality of Domestic Cult Practices from Antiquity to Early Modern Era R. Berg, A. Coralini, A. K. Koponen, R. Valimaki, 2021
  the gospel at colonus getty villa: Emotion and the Arts Mette Hjort, Sue Laver, 1997-09-04 The only work of its kind, this exciting collection assembles a number of analytically minded philosophers, psychologists, and literary theorists, all of whom seek to provide fine-grained accounts of critical problems having to do with emotion and art. How best to explain emotions produced by works of art? What goes on when we feel emotion for an abstract art such as music? How is it that we can intelligibly feel emotion for persons and situations that we know are fictional? What is involved in our empathic experience of negative emotion through the art of tragedy? A strongly interdisciplinary volume that captures the richness of current debates about the role of agency in human emotional response, this collection also considers the influence of culture on emotion and demonstrates that cognitivist and social- constructivist perspectives need not be antagonistic and may actually work together in a complementary way. Essays cluster under four rubrics--The Paradox of Fiction, Emotion and its Expression through Art, The Rationality of Emotional Responses to Art, and The Value of Emotion--and together they address questions of emotion in film, painting, music, dance, literature, and theater. With new work by leading thinkers in the field of aesthetics, and drawing upon state of the art scholarship from areas such as cognitive science, literary studies, and contemporary ethics, Emotion and the Arts is essential reading for those who study aesthetics, literature, theories of emotion, and the mind.
  the gospel at colonus getty villa: King and Messiah Aage Bentzen, 2022-09-29 A fascinating glimpse into the debate in Scandinavia concerning a number of inter-related Biblical themes focused on the concept of the Messiah, a debate associated with scholars such as Mowinckel, Pedersen, Widengren, and Bentzen himself. The argument traces the development of the Messianic figure from its Old Testament roots, starting with the Messiah of many of the Psalms, which represents a demythologised form of the Oriental conception of kingship, through the eschatologised Messiah of the prophetic thought of Isaiah and Micah, and then to the prophet-Messiah of Second Isaiah, which although still a present and entirely human figure, embodies the insight that the saviour of Israel must suffer and be cast in the role of a Moses Redivivus as leader of a new Exodus. The Son of Man of Daniel 7 carries this eschatologising process even further, until the Christology of the New Testament emerges as a creative synthesis of these Old Testament types. In this synthesis, Jesus is a new Adam, the Messiah present in the flesh and present still in His body the Church, the suffering Prophet playing the part of the new Moses and the once and future Divine King. Bentzen argues that ultimately this figure of Christ the Messiah transcends not only the Old Testament types on which it is based, but also the subsequent historical development of the Christian Messianic tradition.
  the gospel at colonus getty villa: The Maxims of Ptah-hotep Ptahhotep, Franklin Donaldson, 1990
  the gospel at colonus getty villa: Lived Religion in the Ancient Mediterranean World Valentino Gasparini, Maik Patzelt, Rubina Raja, Anna-Katharina Rieger, Jörg Rüpke, Emiliano Urciuoli, 2020-04-06 The Lived Ancient Religion project has radically changed perspectives on ancient religions and their supposedly personal or public character. This volume applies and further develops these methodological tools, new perspectives and new questions. The religious transformations of the Roman Imperial period appear in new light and more nuances by comparative confrontation and the integration of many disciplines. The contributions are written by specialists from a variety of disciplinary contexts (Jewish Studies, Theology, Classics, Early Christian Studies) dealing with the history of religion of the Mediterranean, West-Asian, and European area from the (late) Hellenistic period to the (early) Middle Ages and shaped by their intensive exchange. From the point of view of their respective fields of research, the contributors engage with discourses on agency, embodiment, appropriation and experience. They present innovative research in four fields also of theoretical debate, which are “Experiencing the Religious”, “Switching the Code”, „A Thing Called Body“ and “Commemorating the Moment”.
  the gospel at colonus getty villa: The Year the Yankees Lost the Pennant Douglass Wallop, 1954
  the gospel at colonus getty villa: Eclipsed Danai Gurira, 2015-11-23 “[Eclipsed is] a surprisingly vivacious portrait of helplessness, of the entirely human impulse to adapt, to get by even when there's little hope life will get better.”—Washington Post “Eclipsed depicts the harsh realities of women’s lives in a strife-torn African country with both a clear eye and a palpable empathy.”—New York Times Four women in Liberia struggle to survive conditions on a rebel army base. Held as the concubines of a warlord, each “wife” must find her own means of coping amidst a situation that appears hopeless. With frail, fractured identities born from an ongoing, senseless civil war, the women build their own contained world to guard against the chaos outside. This enthralling work from award-winning playwright and actress Gurira demonstrates the human capacity to endure, even in the most desolate of circumstances. Danai Gurira’s other plays include Familiar and In the Continuum, written for World AIDS Day in December 2011, which she co-wrote and co-starred in with Nikkole Salter. For In the Continuum, she was awarded an Obie Award, Outer Critics' Circle Award, and a Helen Hayes Award for her performance. She received a Whiting Writer’s Award in 2012. She is best known for her role as Michonne in the hit television series, The Walking Dead.
  the gospel at colonus getty villa: ECJ--recent Developments in Direct Taxation Michael Lang, Josef Schuch, Claus Staringer, 2006-01-01 A growing number of cases pending before trhe European Court of Justice (ECJ) concern the fundamental freedoms and direct taxation. This book scrutinises the national background of the most important of these cases and examines possible infringements of fundamental freedoms. The focus of each analysis is on the questions submitted to the ECJ by the national courts. Moreover, where available, the opinion of the Advocate General is discussed. The cases are presented by esteemed national and European tax law experts. This book goes to the heart of the national tax systems, exposing hidden obstacles to fundamental freedoms.
  the gospel at colonus getty villa: Synaesthesia and the Ancient Senses Shane Butler, Alex Purves, 2014-09-03 Like us, the ancient Greeks and Romans came to know and understand the world through their senses. Yet sensory experience has rarely been considered in the study of antiquity and, when the senses are examined, sight is regularly privileged. 'Synaesthesia and the Ancient Senses' presents a radical reappraisal of antiquity's textures, flavours, and aromas, sounds and sights. It offers both a fresh look at society in the ancient world and an opportunity to deepen the reading of classical literature. The book will appeal to readers in classical society and literature, philosophy and cultural history. All Greek and Latin is translated and technical matters are explained for the non-specialist. The introduction sets the ancient senses within the history of aesthetics and the subsequent essays explores the senses throughout the classical period and on to the modern reception of classical literature.
  the gospel at colonus getty villa: Two Nations in Your Womb Israel Jacob Yuval, 2008-08-19 Since it was first published in Hebrew in 2000, this provocative book has been garnering acclaim and stirring controversy for its bold reinterpretation of the relationship between Judaism and Christianity in the Middle Ages, especially in medieval Europe. Looking at a remarkably wide array of source material, Israel Jacob Yuval argues that the inter-religious polemic between Judaism and Christianity served as a substantial component in the mutual formation of each of the two religions. He investigates ancient Jewish Passover rituals; Jewish martyrs in the Rhineland who in 1096 killed their own children; Christian perceptions of those ritual killings; and events of the year 1240, when Jews in northern France and Germany expected the Messiah to arrive. Looking below the surface of these key moments, Yuval finds that, among other things, the impact of Christianity on Talmudic and medieval Judaism was much stronger than previously assumed and that a rejection of Christianity became a focal point of early Jewish identity. Two Nations in Your Womb will reshape our understanding of Jewish and Christian life in late antiquity and over the centuries.
  the gospel at colonus getty villa: Theorising Performance Edith Hall, Stephe Harrop, 2010-03-25 Constitutes the first analysis of the modern performance of ancient Greek drama from a theoretical perspective.
  the gospel at colonus getty villa: Taste and the Ancient Senses Kelli C. Rudolph, 2017-07-31 Olives, bread, meat and wine: it is deceptively easy to evoke ancient Greece and Rome through a few items of food and drink. But how were their tastes different from ours? How did they understand the sense of taste itself, in relation to their own bodies and to other modes of sensory experience? This volume, the first of its kind to explore the ancient sense of taste, draws on the literature, philosophy, history and archaeology of Greco-Roman antiquity to provide answers to these central questions. By surveying and probing the literary and material remains from the Archaic period to late antiquity, contributors investigate the cultural and intellectual development towards attitudes and theories about taste. These specially commissioned chapters also open a window onto ancient thinking about perception and the body. Importantly, these authors go beyond exploring the functional significance of taste to uncover its value and meaning in the actions, thoughts and words of the Greeks and Romans. Taste and the Ancient Senses presents a full range of interpretative approaches to the gustatory sense, and provides an indispensable resource for students and scholars of classical antiquity and sensory studies.
  the gospel at colonus getty villa: The Arch of Titus Steven Fine, 2021-05-25 The Arch of Titus: From Jerusalem to Rome—and Back explores the shifting meanings and significance of the Arch of Titus from the Jewish War of 66–74 CE to the present—for Romans, Christians and especially for Jews.
  the gospel at colonus getty villa: De Compendiosa Doctrina Nonius Marcellus, John Henry Onions, 1882
  the gospel at colonus getty villa: Dionysus Since 69 Edith Hall, Fiona Macintosh, Amanda Wrigley, 2004-01-08 Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This book is the first to address the fundamental question, why has there been so much Greek tragedy in the theatres, opera houses and cinemas of the last three decades? A detailed chronological appendix of production information and lavish illustrations supplement the fourteen essays by an interdisciplinary team of specialists from the worlds of classics, theatre studies, and the professional theatre. They relate the recent appeal of Greek tragedy to social trends, political developments, aesthetic and performative developments, and the intellectual currents of the last three decades, especially multiculturalism, post-colonialism, feminism, post-structuralism, revisions of psychoanalytical models, and secularization.
  the gospel at colonus getty villa: The Sex-Starved Marriage Michele Weiner-Davis, 2004 'Not tonight, darling, I've got a headache...' An estimated one in three couples suffer from problems associated with one partner having a higher libido than the other. Marriage therapist Michele Weiner Davis has written THE SEX-STARVED MARRIAGE to help couples come to terms with this problem. Weiner Davis shows you how to address pyschological factors like depression, poor body image and communication problems that affect sexual desire. With separate chapters for the spouse that's ready for action and the spouse that's ready for sleep, THE SEX-STARVED MARRIAGE will help you re-spark your passion and stop you fighting about sex. Weiner Davis is renowned for her straight-talking style and here she puts it to great use to let you know you're not alone in having marital sex problems. Bitterness or complacency about ho-hum sex can ruin a marriage, breaking the emotional tie of good sex.
  the gospel at colonus getty villa: Four by Truffaut Francois Truffaut, 2014-10-04 From the film director behind his creation, Four gives readers an exclusive look at the adventures of Antoine Doinel through the screenplays and stills of the four films he appears in. Thought by many to be the fictional alter ego of Francois Truffaut, Antoine Doinel, played in all movies by Jean-Pierre Leaud, was a fictional character created by Truffaut that depicted many of his own memories ranging from childhood through divorce. Four is an enchanting look at the character of Antoine through screenplays and stills from four of Truffaut’s most well-known films: The 400 Blows, Love at Twenty, Stolen Kisses, and Bed and Board.
  the gospel at colonus getty villa: Studia Palaeophilologica Stephen M. Bay, 2004 To honor Dr. Gerald M. Browne, Professor Emeritus of the Classics (University of Illinois at Urbana-Champaign), a group of his colleagues, students and friends have assembled a collection of philosophical essays, presented to the honor and on the occasion of his 60th birthday, 13 December 2003. The volume likewise includes (1) two brief lectures delivered on the occasion of his retirement from the University of Illinois, 20 May 2003; and (2) Professor Browne's complete biobibliography--Pref.
  the gospel at colonus getty villa: Greek and Roman Classics in the British Struggle for Social Reform Henry Stead, Edith Hall, 2016-12-15 Usually drawn from the lower echelons of the middle class and the most aspirational artisanal and working-class circles, the prominent reformers, revolutionaries, feminists and educationalists of this era, far from regarding education in Latin and Greek as the preserve of the upper classes and inherently reactionary, were consistently inspired by the Mediterranean Classics and contested the monopoly on access to them often claimed by the wealthy and aristocratic elite. The essays, several of which draw on previously neglected and unpublished sources, cover literary figures (Coleridge, the 'Cockney Classicist' poets including Keats, and Dickens), different cultural media (burlesque theatre, body-building, banner art, poetry, journalism and fiction), topics in social reform (the desirability of revolution, suffrage, poverty, social exclusion, women's rights, healthcare, eugenics, town planning, race relations and workers' education), as well as political affiliations and agencies (Chartists, Trade Unions, the WEA, political parties including the Fabians, the Communist Party of Great Britain and the Labour Party). The sixteen essays in this volume restore to the history of British Classics some of the subject's ideological complexity and instrumentality in social progress, a past which is badly needed in the current debates over the future of the discipline -- Provided by publisher.
  the gospel at colonus getty villa: Medea in Performance 1500-2000 Oliver Taplin, Fiona Macintosh, Edith Hall, 2000 Papers drawn from an interdisciplinary colloquium, hosted at Somerville, College by the University of Oxford's Archive of Performances of Greek and Roman Drama in August 1998.
  the gospel at colonus getty villa: Our Vanishing Wild Life: Its Extermination and Preservation William T. Hornaday, 2019-11-20 Our Vanishing Wild Life: Its Extermination and Preservation by William T. Hornaday. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.