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The Literary and Poetic Renaissance: A Golden Age of Achievement
Introduction:
The Renaissance, a period spanning roughly from the 14th to the 17th centuries, witnessed an unprecedented flourishing of art, science, and philosophy. But perhaps its most enduring legacy lies in its remarkable achievements in literature and poetry. This post delves deep into the heart of this golden age, exploring the key figures, influential movements, and lasting impact of Renaissance literary and poetic innovation. We'll uncover how this era redefined literary expression, paving the way for modern literature as we know it. Prepare to journey through a period that birthed masterpieces that continue to resonate with readers centuries later.
I. Humanism: The Foundation of Renaissance Literature
The Renaissance was profoundly shaped by Humanism, a philosophical movement that emphasized human potential and achievement. Instead of solely focusing on religious dogma, Humanists championed classical learning, studying Greek and Roman texts to understand human nature and society. This rediscovery of classical literature directly influenced Renaissance writing styles, themes, and even the very structure of literary works. The emphasis shifted from solely divine authority to a more human-centered perspective, allowing for exploration of individual emotions, experiences, and moral complexities. This focus is evident in the rise of the sonnet, a form borrowed from Petrarch, and the development of complex dramatic narratives inspired by Greek tragedies and comedies.
II. Key Figures: Shaping the Literary Landscape
The Renaissance wasn't a monolithic movement; it fostered a constellation of brilliant minds who pushed the boundaries of literary expression. Consider:
William Shakespeare: Arguably the most celebrated figure of the English Renaissance, Shakespeare's plays and sonnets remain universally studied and performed. His unparalleled mastery of language, character development, and dramatic structure revolutionized theatre and continue to inspire awe. The depth and complexity of his characters, the universality of his themes (love, loss, ambition, betrayal), and his unmatched ability to weave poetry into prose solidified his place as a literary giant.
Michelangelo: While primarily known as a sculptor and painter, Michelangelo’s poetic works, particularly his sonnets, reveal a profound understanding of human emotion and the spiritual realm. His poems, written in Italian, reflect the humanistic values of the Renaissance while also exploring themes of faith and divine inspiration.
François Rabelais: This French writer's satirical works, such as Gargantua and Pantagruel, are a testament to the Renaissance spirit of questioning established norms and embracing irreverence. His bawdy humor and playful critique of societal structures challenged the conventions of the time and showcased the freedom of expression that was emerging.
John Milton: Known for his epic poem Paradise Lost, Milton's work showcases the high artistic standards and philosophical depth of the late Renaissance. His exploration of free will, temptation, and the nature of good and evil reflects the intellectual and theological debates of his era.
Petrarch: Though he lived before the peak of the Renaissance, Petrarch's influence on Renaissance poetry was profound. His sonnets, exploring themes of love and longing, established a model for countless poets who followed.
III. Literary Genres and Innovations:
The Renaissance saw the blossoming of various literary genres, each reflecting the era's unique characteristics:
Sonnets: The sonnet, with its strict structure and capacity for intense emotion, became a dominant form, popularized by Petrarch and perfected by Shakespeare.
Plays: The Renaissance theatre, particularly in England, flourished with the rise of public playhouses and the works of playwrights like Shakespeare, Marlowe, and Jonson. These plays explored a wide range of themes, from historical dramas to romantic comedies to tragedies.
Epic Poetry: The Renaissance witnessed a revival of epic poetry, exemplified by Milton's Paradise Lost, which reinterpreted biblical narratives through a sophisticated literary lens.
Essays: The essay, as a form of prose exploring diverse topics, gained popularity, with Michel de Montaigne being a key figure in its development.
Novels: While the novel as a genre was still in its nascent stages, the Renaissance saw the emergence of long prose narratives that laid the groundwork for the development of the novel in later centuries.
IV. The Lasting Impact of Renaissance Literature and Poetry:
The achievements of the Renaissance in literature and poetry reverberate through Western literature to this day. The stylistic innovations, thematic explorations, and the very concept of the individual author as a creative force all owe a considerable debt to this period. Renaissance works continue to be studied, analyzed, and adapted, providing inspiration for countless writers and artists. The sophisticated use of language, the profound exploration of human emotion, and the sophisticated narratives laid the foundation for the literary traditions that followed. The Renaissance literary legacy is one of enduring power and influence, continuing to enrich and inspire readers across the globe.
V. Conclusion:
The Renaissance was not merely a period of revival; it was a period of creation. In literature and poetry, it ushered in a new era of artistic expression, marked by innovation, depth, and a profound understanding of the human condition. From Shakespeare's immortal plays to the elegant sonnets of Petrarch, the masterpieces of the Renaissance continue to shape our understanding of literature, reminding us of the enduring power of human creativity and the transformative potential of the written word.
Book Outline: "The Renaissance Quill: A Literary and Poetic Exploration"
Introduction: Overview of the Renaissance and its literary significance.
Chapter 1: Humanism and its impact on literature.
Chapter 2: Key Figures: Shakespeare, Michelangelo, Rabelais, Milton, and Petrarch. Individual biographical sketches and analysis of their major works.
Chapter 3: Major Literary Genres and Innovations (Sonnets, Plays, Epic Poetry, Essays, Early Novels).
Chapter 4: The Influence of Classical Literature on Renaissance Writing.
Chapter 5: The Spread of Renaissance Literary Ideas Across Europe.
Chapter 6: The Social and Political Context of Renaissance Literature.
Chapter 7: Renaissance Literature and the Reformation.
Chapter 8: The Legacy of Renaissance Literature in Modern Times.
Conclusion: Summarizing the enduring impact and significance of Renaissance literary achievements.
(Detailed explanation of each chapter would follow here, expanding upon the points already made in the main article. This section would add significant depth to each topic, providing in-depth analysis of specific works, authors, and movements.)
FAQs:
1. What is Humanism, and how did it impact the Renaissance? Humanism was a philosophical movement that emphasized human potential and achievement, leading to a renewed interest in classical learning and a shift away from purely religious dogma in literature.
2. Why is Shakespeare considered the most important figure of the English Renaissance? Shakespeare's mastery of language, character development, and dramatic structure, coupled with the universality of his themes, makes him a literary giant whose works continue to resonate.
3. What are some key characteristics of Renaissance sonnets? Renaissance sonnets typically follow a strict structure (e.g., Petrarchan or Shakespearean) and explore themes of love, beauty, and the passage of time.
4. How did the Renaissance influence the development of the novel? While the novel wasn't fully formed during the Renaissance, the era saw the emergence of longer prose narratives that laid the foundation for its later development.
5. What were some of the major themes explored in Renaissance literature? Common themes include love, loss, ambition, betrayal, faith, human nature, and the conflict between reason and emotion.
6. How did the printing press impact the spread of Renaissance literature? The printing press revolutionized the dissemination of literary works, allowing for wider access and the rapid spread of new ideas across Europe.
7. What is the relationship between the Renaissance and the Reformation? The Renaissance and the Reformation were intertwined, with both movements challenging established authorities and fostering intellectual ferment.
8. How does Renaissance literature continue to influence us today? Renaissance works provide enduring models for storytelling, character development, and stylistic innovation, continuing to inspire and inform contemporary literature.
9. What are some good resources for further learning about Renaissance literature and poetry? Numerous academic books, online resources, and university courses offer in-depth exploration of this rich period.
Related Articles:
1. Shakespeare's Sonnets: A Deep Dive: An analysis of Shakespeare's sonnets, exploring their themes, structure, and lasting impact.
2. The Rise of the English Renaissance Theatre: Examining the development of theatre during the English Renaissance, with a focus on key playwrights and their works.
3. Michelangelo's Poetry: A Spiritual Exploration: A closer look at Michelangelo's poetic works, revealing their humanistic and religious aspects.
4. The Satirical Genius of François Rabelais: An examination of Rabelais's works, highlighting their satirical wit and social commentary.
5. John Milton's Paradise Lost: An Epic Retelling: An in-depth analysis of Milton's epic poem, focusing on its themes, structure, and literary significance.
6. Petrarch's Influence on Renaissance Poetry: Exploring Petrarch's contribution to the development of the sonnet and its influence on subsequent poets.
7. The Humanist Movement and its Literary Impact: A comprehensive examination of Humanism and its effect on Renaissance literature and thought.
8. Renaissance Literary Patronage and its Significance: Exploring the role of patronage in supporting and shaping Renaissance literary production.
9. Comparing and Contrasting Renaissance and Medieval Literature: A comparative analysis highlighting the key differences and continuities between the two periods.
literature or poetry renaissance achievement: The Native American Renaissance Alan R. Velie, A. Robert Lee, 2013-11-11 The outpouring of Native American literature that followed the publication of N. Scott Momaday’s Pulitzer Prize–winning House Made of Dawn in 1968 continues unabated. Fiction and poetry, autobiography and discursive writing from such writers as James Welch, Gerald Vizenor, and Leslie Marmon Silko constitute what critic Kenneth Lincoln in 1983 termed the Native American Renaissance. This collection of essays takes the measure of that efflorescence. The contributors scrutinize writers from Momaday to Sherman Alexie, analyzing works by Native women, First Nations Canadian writers, postmodernists, and such theorists as Robert Warrior, Jace Weaver, and Craig Womack. Weaver’s own examination of the development of Native literary criticism since 1968 focuses on Native American literary nationalism. Alan R. Velie turns to the achievement of Momaday to examine the ways Native novelists have influenced one another. Post-renaissance and postmodern writers are discussed in company with newer writers such as Gordon Henry, Jr., and D. L. Birchfield. Critical essays discuss the poetry of Simon Ortiz, Kimberly Blaeser, Diane Glancy, Luci Tapahonso, and Ray A. Young Bear, as well as the life writings of Janet Campbell Hale, Carter Revard, and Jim Barnes. An essay on Native drama examines the work of Hanay Geiogamah, the Native American Theater Ensemble, and Spider Woman Theatre. In the volume’s concluding essay, Kenneth Lincoln reflects on the history of the Native American Renaissance up to and beyond his seminal work, and discusses Native literature’s legacy and future. The essays collected here underscore the vitality of Native American literature and the need for debate on theory and ideology. |
literature or poetry renaissance achievement: The Poetics of Ruins in Renaissance Literature Andrew Hui, 2017-01-02 The Renaissance was the Ruin-naissance, the birth of the ruin as a distinct category of cultural discourse, one that inspired voluminous poetic production. For humanists, the ruin became the material sign that marked the rupture between themselves and classical antiquity. In the first full-length book to document this cultural phenomenon, Andrew Hui explains how the invention of the ruin propelled poets into creating works that were self-aware of their absorption of the past as well as their own survival in the future. |
literature or poetry renaissance achievement: Lyric Poetry by Women of the Italian Renaissance Virginia Cox, 2013-07-31 This is an amazing book, a major achievement in the field of women's studies.--Renaissance Quarterly, reviewing Women's Writing in Italy, 1400-1650 |
literature or poetry renaissance achievement: Voices and Books in the English Renaissance Jennifer Richards, 2019-10-24 Voices and Books in the English Renaissance offers a new history of reading that focuses on the oral reader and the voice- or performance-aware silent reader, rather than the historical reader, who is invariably male, silent, and alone. It recovers the vocality of education for boys and girls in Renaissance England, and the importance of training in pronuntiatio (delivery) for oral-aural literary culture. It offers the first attempt to recover the voice—and tones of voice especially—from textual sources. It explores what happens when we bring voice to text, how vocal tone realizes or changes textual meaning, and how the literary writers of the past tried to represent their own and others' voices, as well as manage and exploit their readers' voices. The volume offers fresh readings of key Tudor authors who anticipated oral readers including Anne Askew, William Baldwin, and Thomas Nashe. It rethinks what a printed book can be by searching the printed page for vocal cues and exploring the neglected role of the voice in the printing process. Renaissance printed books have often been misheard and a preoccupation with their materiality has led to a focus on them as objects. However, Renaissance printed books are alive with possible voices, but we will not understand this while we focus on the silent reader. |
literature or poetry renaissance achievement: English Literary Criticism J. W. H. Atkins, 2021-05-18 Originally published in 1947, this volume reviews the critical achievement at the Renaissance. It discusses the ideas of literature then current in England, as revealed in contemporary theorizing and judgments. The period has sometimes been dismissed as lacking great critics, and the critical works themselves have been described as elementary and remote, but, as this work shows, viewed in the light of what came before and after, those texts will be found to be of considerable interest and possess intrinsic and historical value. This book charts the course of the movement and the main findings and their significance in critical history. There is an emphasis to show the part payed by the medieval tradition, with its inheritance of post-classical and patristic doctrine; the lead given by 15th Century Italian and other Humanists and the no less important attempts of independent native writers to work out new artistic and dramatic theory of their own. |
literature or poetry renaissance achievement: Arts & Humanities Through the Eras: Renaissance Europe (1300-1600) Philip M. Soergel, 2005 Through the presentation of nine different arts and humanities topics, such as architecture and design, literature, religion, and visual arts, this volume describes Renaissance Europe, from 1300 to 1600. |
literature or poetry renaissance achievement: Du Bartas' Legacy in England and Scotland Peter Auger, 2019 Guillaume de Saluste Du Bartas was the most popular and widely-imitated poet in sixteenth- and seventeenth-century England and Scotland. C. S. Lewis felt that a reconsideration of his works' British reception was 'long overdue' back in the 1950s, and this study finally provides the first comprehensive account of how English-speaking authors read, translated, imitated, and eventually discarded Du Bartas' model for Protestant poetry. The first part shows that Du Bartas' friendship with James VI and I was key to his later popularity. Du Bartas' poetry symbolized a transnational Protestant literary culture in Huguenot France and Britain. Through James� intervention, Scottish literary tastes had a significant impact in England. Later chapters assess how Sidney, Spenser, Milton, and many other poets justified writing poetic fictions in reaction to Du Bartas' austere emphasis on scriptural truth. These chapters give equal attention to how Du Bartas' example offered a route into original verse composition for male and female poets across the literate population. Du Bartas' Legacy in England and Scotland responds to recent developments in transnational and translation studies, the history of reading, women's writing, religious literature, and manuscript studies. It argues that Du Bartas' legacy deserves far greater prominence than it has previously received because it offers a richer, more democratic, and more accurate view of sixteenth- and seventeenth-century English, Scottish, and French literature and religious culture. |
literature or poetry renaissance achievement: Impossible Desire and the Limits of Knowledge in Renaissance Poetry Wendy Beth Hyman, 2019-04-04 Impossible Desire and the Limits of Knowledge in Renaissance Poetry examines the limits of embodiment, knowledge, and representation at a disregarded nexus: the erotic carpe diem poem in early modern England. These macabre seductions offer no compliments or promises, but instead focus on the lovers' anticipated decline, and—quite stunningly given the Reformation context—humanity's relegation not to a Christian afterlife but to a Marvellian 'desert of vast Eternity.' In this way, a poetic trope whose classical form was an expression of pragmatic Epicureanism became, during the religious upheaval of the Reformation, an unlikely but effective vehicle for articulating religious doubt. Its ambitions were thus largely philosophical, and came to incorporate investigations into the nature of matter, time, and poetic representation. Renaissance seduction poets invited their auditors to participate in a dangerous intellectual game, one whose primary interest was expanding the limits of knowledge. The book theorizes how Renaissance lyric's own fragile relationship to materiality and time, and its self-conscious relationship to making, positioned it to grapple with these 'impossible' metaphysical and representational problems. Although attentive to poetics, the book also challenges the commonplace view that the erotic invitation is exclusively a lyrical mode. Carpe diem's revival in post-Reformation Europe portends its radicalization, as debates between man and maid are dramatized in disputes between abstractions like chastity and material facts like death. Offered here is thus a theoretical reconsideration of the generic parameters and aspirations of the carpe diem trope, wherein questions about embodiment and knowledge are also investigations into the potentialities of literary form. |
literature or poetry renaissance achievement: Sidney's 'The Defence of Poesy' and Selected Renaissance Literary Criticism Gavin Alexander, 2004-02-26 Controversy raged through England during the 1570-80s as Puritans denounced all manner of games & pastimes as a danger to public morals. Writers quickly turrned their attention to their own art and the first & most influential response came with Philip Sidney's Defense. Here he set out to answer contemporary critics &, with reference to Classical models of criticism, formulated a manifesto for English literature. Also includes George Puttenham's Art of English Poesy, Samuel Daniel's Defence of Rhyme, & passages by writers such as Ben Jonson, Francis Bacon & George Gascoigne. |
literature or poetry renaissance achievement: The Cambridge Companion to the Literature of the American Renaissance Christopher N. Phillips, 2018-03-07 This volume offers a new introduction to the American Renaissance, exploring many of the key themes, genres, and social and cultural contexts that inform the best new scholarship in the field. |
literature or poetry renaissance achievement: Henry Vaughan, the Achievement of Silex Scintillans Thomas O. Calhoun, 1981 This is an extensive study of Henry Vaughan's use of the sonnet cycle. Calhoun attempts to interrelate major historical, theoretical, and biographical details as they contribute to Vaughan's craft, style, and poetic form. This study takes into account Vaughan's work over two decades, approximately 1640-1660. |
literature or poetry renaissance achievement: What Else Is Pastoral? Ken Hiltner, 2011-03-18 Pastoral was one of the most popular literary forms of early modern England. Inspired by classical and Italian Renaissance antecedents, writers from Ben Jonson to John Beaumont and Abraham Cowley wrote in idealized terms about the English countryside. It is often argued that the Renaissance pastoral was a highly figurative mode of writing that had more to do with culture and politics than with the actual countryside of England. For decades now literary criticism has had it that in pastoral verse, hills and crags and moors were extolled for their metaphoric worth, rather than for their own qualities. In What Else Is Pastoral? Ken Hiltner takes a fresh look at pastoral, offering an environmentally minded reading that reconnects the poems with literal landscapes, not just figurative ones. Considering the pastoral in literature from Virgil and Petrarch to Jonson and Milton, Hiltner proposes a new ecocritical approach to these texts. We only become truly aware of our environment, he explains, when its survival is threatened. As London expanded rapidly during the sixteenth and seventeenth centuries, the city and surrounding rural landscapes began to look markedly different. Hiltner finds that Renaissance writers were acutely aware that the countryside they had known was being lost to air pollution, deforestation, and changing patterns of land use; their works suggest this new absence of nature through their appreciation for the scraps that remained in memory or in fact. A much-needed corrective to the prevailing interpretation of pastoral poetry, What Else Is Pastoral? shows the value of reading literature with an ecological eye. |
literature or poetry renaissance achievement: Dictionary of World Literary Terms Joseph T. Shipley, 2024-05-01 First published in 1970, Dictionary of World Literary Terms brings together in one volume authoritative definitions of literary terms, forms and techniques, figures of speech and detailed notes on the history and development of the literatures and literary movements of the world. Arranged in alphabetical order for easy use, the entries range from anti-hero to zeugma, from classicism to the New Criticism, and from esoteric or archaic terms to contemporary theatre and poetry. This book will be indispensable for writers, students, scholars, researchers, librarians and everyone who has a literary curiosity. |
literature or poetry renaissance achievement: Literature and Society in Renaissance Crete David Holton, 1991-06-20 This book presents a comprehensive study of the literature of the Cretan Renaissance and relates it to its historical, social and cultural context. Crete, ruled by Venice from 1211 to 1669, responded to the stimulus of contact with the Renaissance in a body of narrative, personal and dramatic poetry, written in the Cretan dialect, and now regarded as an important influence on Modern Greek literature. The historical background is related to an examination of the structure of Veneto-Cretan society, while the central chapters concentrate on the literary texts including tragedy, comedy, pastoral and religious drama. |
literature or poetry renaissance achievement: Death in the Middle Ages and Early Modern Times Albrecht Classen, 2016-04-11 Death is not only the final moment of life, it also casts a huge shadow on human society at large. People throughout time have had to cope with death as an existential experience, and this also, of course, in the premodern world. The contributors to the present volume examine the material and spiritual conditions of the culture of death, studying specific buildings and spaces, literary works and art objects, theatrical performances, and medical tracts from the early Middle Ages to the late eighteenth century. Death has always evoked fear, terror, and awe, it has puzzled and troubled people, forcing theologians and philosophers to respond and provide answers for questions that seem to evade real explanations. The more we learn about the culture of death, the more we can comprehend the culture of life. As this volume demonstrates, the approaches to death varied widely, also in the Middle Ages and the early modern age. This volume hence adds a significant number of new facets to the critical examination of this ever-present phenomenon of death, exploring poetic responses to the Black Death, types of execution of a female murderess, death as the springboard for major political changes, and death reflected in morality plays and art. |
literature or poetry renaissance achievement: Mediterranean Heritage (Routledge Revivals) David Scott Fox, 2014-06-17 Mediterranean Heritage, first published in 1978, offers a wide-ranging and perceptive discussion of the often concealed links between English culture and the common heritage of Western Europe: the Graeco-Roman legacy of the Mediterranean. There seems to have been no time when England has not been in touch with the civilisations of Greece and Italy: even Stonehenge, the most dramatic survivor of our remotest past, has a carved dagger of Mycenaean pattern among its ornaments. The pioneers of a distinctly English creative vision – Shakespeare, Sidney, Milton – clearly looked to Italy. Throughout the eighteenth century ‘grand tourists’ found southern Europe irresistible. The Romantics all became enraptured by the Mediterranean, and passed on their fascination in some of the most passionate poetry in English. Appearing at a time which England is more obviously a part of Europe than she has been for sixteen hundred years, Mediterranean Heritage provides valuable insights into the origins of our culture’s greatest achievements. |
literature or poetry renaissance achievement: Common: The Development of Literary Culture in Sixteenth-Century England Neil Rhodes, 2018-04-13 This volume explores the development of literary culture in sixteenth-century England as a whole and seeks to explain the relationship between the Reformation and the literary renaissance of the Elizabethan period. Its central theme is the 'common' in its double sense of something shared and something base, and it argues that making common the work of God is at the heart of the English Reformation just as making common the literature of antiquity and of early modern Europe is at the heart of the English Renaissance. Its central question is 'why was the Renaissance in England so late?' That question is addressed in terms of the relationship between Humanism and Protestantism and the tensions between democracy and the imagination which persist throughout the century. Part One establishes a social dimension for literary culture in the period by exploring the associations of 'commonwealth' and related terms. It addresses the role of Greek in the period before and during the Reformation in disturbing the old binary of elite Latin and common English. It also argues that the Reformation principle of making common is coupled with a hostility towards fiction, which has the effect of closing down the humanist renaissance of the earlier decades. Part Two presents translation as the link between Reformation and Renaissance, and the final part discusses the Elizabethan literary renaissance and deals in turn with poetry, short prose fiction, and the drama written for the common stage. |
literature or poetry renaissance achievement: The Light in Troy Thomas M. Greene, 1982 Extraordinarily rich and awesomely learned.... The complexity of its subject matter is here mastered in an exemplary fashion. The study offers detailed, concrete, and perceptive assessments of individual writers within a lucid and carefully balanced design.... As a work of striking originality as well as formidable yet lively scholarship, ... Green's book will become a central, even classic, text for students of Renaissance poetry and of a cardinal topos in the history of criticism and hermeneutics. -From the citation for the award of the Harry Levin Prize of the American Comparative Literature Association, 1982 An outstanding example of learning fully commanded and applied with uncommon perception, a lively sense of historical continuity, and, not least important, productive familiarity with modern literary theory. In its breadth of knowledge, the interplay of literary history and theory, the maturity of its judgments and the urbanity of its style, Professor Greene's study is a most distinguished achievement of American scholarship. -From the citation for the award of the Annual James Russell Lowell Prize, given by the Modern Language Association of America, 1983 |
literature or poetry renaissance achievement: The Biglow Papers James Russell Lowell, 1866 |
literature or poetry renaissance achievement: The Oxford Handbook of Philip Sidney , 2024-11-28 The Oxford Handbook of Philip Sidney is the most comprehensive collection of essays on Sidney published to date. Written by an expert team of international specialists, its fifty chapters cover every aspect of Sidney's life, works, and the times in which he lived. It provides fresh interpretations of Sidney's career, texts, and legacy, drawing on the most recent historical and archival research and showcasing the range of critical approaches-historicist, formalist, postcolonial, post-humanist, presentist, materialist, economic, ecological, affective, queer, and zoocritical-which has opened up so many new perspectives in the study of Renaissance literature in recent years. Part I, 'Contexts', re-examines Sidney's life, family relations and friendship groups, his roles as courtier and patron, and the 'Sidney legend' which largely shaped these narratives round the political agendas of his day. Part II, 'Works', offers new, in-depth readings of Sidney's writings, including his poetry, prose, letters, and psalms. Part III, 'Literary Contexts', explores the pedagogic and practical contexts within which these writings were produced, including Sidney's own education, the humanist emphasis that literature teach and delight, newly evolving ideas of authorship, and the potentials presented by the circulation of his works in manuscript and print. Part IV, 'Sidney's Forms and Genres', drills down further into his literary texts, showing how they both drew from and contributed to new developments in the writing of sonnets, lyric, pastoral, romance, fiction, and drama within the larger sphere of the European literary Renaissance. Part V, 'Sidney's Poetic Craft', illuminates Sidney's distinctive skills as a poetic maker, revealing his attention to detail by providing minute analyses of his prosody, his interest in song, his sentence structure, and his unique conception of style. Part VI, 'Sidney and His Times', embeds Sidney within his period, providing individual chapters on his active engagement with its religion, philosophy, logic, rhetoric, politics, with Europe, the colonies, maps, money, class, gender, the passions, animals, visual culture, music, clothes, architecture, and gardens. Finally, Part VII, 'Reception', investigates Sidney's enduring legacy as his works continued to be read and re-written by later generations, shaping the course of the English literary tradition to come. |
literature or poetry renaissance achievement: CONCEPTS OF SOCIAL SCIENTISTS AND GREAT THINKERS Andreas Sofroniou, 2013-08-28 This book, CONCEPTS OF SOCIAL SCIENTISTS AND GREAT THINKERS, encompasses nine titles of different subjects and their issues, namely: PSYCHOLOGY, CONCEPTS OF BEHAVIOUR, PSYCHOLOGY OF CHILD CULTURE, PSYCHOTHERAPY, CONCEPTS OF TREATMENT, FREUDIAN ANALYSIS, JUNGIAN SYNTHESIS, SOCIOLOGY, CONCEPTS OF GROUP BEHAVIOUR, PHILOLOGY, CONCEPTS OF EUROPEAN LITERATURE, SOCIAL SCIENCES, CONCEPTS OF BRANCHES AND RELATIONSHIPS, PHILOSOPHY FOR HUMAN BEHAVIOUR. As such, the author attempts to bring together the concepts and thoughts of social scientists and the values of philosophical endea |
literature or poetry renaissance achievement: Laura Battiferra and Her Literary Circle Laura Battiferra degli Ammannati, 2006-05-15 Internationally known during her lifetime, Laura Battiferra (1523-89) was a gifted and prolific poet in Renaissance Florence. The author of nearly 400 sonnets remarkable for their subtlety, intricate narrative structure, and learned allusions, Battiferra, who was married to the prominent sculptor and architect Bartolomeo Ammannati, traversed an elite literary and artistic network, circulating her verse in a complex and intellectually fecund exchange with some of the most illustrious figures in Italian history. In this bilingual anthology, Victoria Kirkham gathers Battiferra's most essential writing, including newly discovered poems, which provide modern readers with a valuable social chronicle of sixteenth-century Italy and the courtly culture of the Counter-Reformation. |
literature or poetry renaissance achievement: What Are We Doing Here? Marilynne Robinson, 2018-02-20 New essays on theological, political, and contemporary themes, by the Pulitzer Prize winner Marilynne Robinson has plumbed the human spirit in her renowned novels, including Lila, winner of the National Book Critics Circle Award, and Gilead, winner of the Pulitzer Prize and the National Book Critics Circle Award. In this new essay collection she trains her incisive mind on our modern political climate and the mysteries of faith. Whether she is investigating how the work of great thinkers about America like Emerson and Tocqueville inform our political consciousness or discussing the way that beauty informs and disciplines daily life, Robinson’s peerless prose and boundless humanity are on full display. What Are We Doing Here? is a call for Americans to continue the tradition of those great thinkers and to remake American political and cultural life as “deeply impressed by obligation [and as] a great theater of heroic generosity, which, despite all, is sometimes palpable still.” |
literature or poetry renaissance achievement: Engines of the Imagination Jonathan Sawday, 2007-11-30 At what point did machines and technology begin to have an impact on the cultural consciousness and imagination of Europe? How was this reflected through the art and literature of the time? Was technology a sign of the fall of humanity from its original state of innocence or a sign of human progress and mastery over the natural world? In his characteristically lucid and captivating style, Jonathan Sawday investigates these questions and more by engaging with the poetry, philosophy, art, and engineering of the period to find the lost world of the machine in the pre-industrial culture of the European Renaissance. The aesthetic and intellectual dimension of these machines appealed to familiar figures such as Shakespeare, Francis Bacon, Montaigne, and Leonardo da Vinci as well as to a host of lesser known writers and artists in the sixteenth and seventeenth centuries. This intellectual engagement with machines in the European Renaissance gave rise to new attitudes towards gender, work and labour, and even fostered the new sciences of artificial life and reason which would be pursued by figures such as Descartes, Hobbes, and Leibniz in the seventeenth century. Writers, philosophers and artists had mixed and often conflicting reactions to technology, reflecting a paradoxical attitude between modern progress and traditional values. Underpinning the enthusiastic creation of a machine-driven world, then, were stories of loss and catastrophe. These contradictory attitudes are part of the legacy of the European Renaissance, just as much as the plays of Shakespeare or the poetry of John Milton. And this historical legacy helps to explain many of our own attitudes towards the technology that surrounds us, sustains us, and sometimes perplexes us in the modern world. |
literature or poetry renaissance achievement: Africa to America Britannica Educational Publishing, 2010-04-01 At the expense of basic human rights, dignity, and decency, Africans were torn from their native countries and first brought to the United State as slaves. Yet even in the face of injustice and hardship they have endured since then, African Americans have been bolstered by the sacrifices, leadership, and determination of courageous individuals. This inspiring volume chronicles the history of African Americansthe triumphs and tragediesfrom origins on the African continent to the end of the Harlem Renaissance. |
literature or poetry renaissance achievement: Modern Irish and Scottish Poetry Peter Mackay, Edna Longley, Fran Brearton, 2011-04-14 The comparative study of the literatures of Ireland and Scotland has emerged as a distinct and buoyant field in recent years. This collection of new essays offers the first sustained comparison of modern Irish and Scottish poetry, featuring close readings of texts within broad historical and political contextualisation. Playing on influences, crossovers, connections, disconnections and differences, the 'affinities' and 'opposites' traced in this book cross both Irish and Scottish poetry in many directions. Contributors include major scholars of the new 'archipelagic' approach, as well as leading Irish and Scottish poets providing important insights into current creative practice. Poets discussed include W. B. Yeats, Hugh MacDiarmid, Sorley MacLean, Louis MacNeice, Edwin Morgan, Douglas Dunn, Seamus Heaney, Ian Hamilton Finlay, Michael Longley, Medbh McGuckian, Nuala ni Dhomhnaill, Don Paterson and Kathleen Jamie. This book is a major contribution to our understanding of poetry from these islands in the twentieth and twenty-first centuries. |
literature or poetry renaissance achievement: The Oxford Companion to Scottish History Michael Lynch, 2007 Searchable online reference covers more than 20 centuries of history, and interpret history broadly, covering areas such as archaeology, climate, culture, languages, immigration, migration, and emigration. Multi-authored entries analyze key themes such as national identity, women and society, living standards, and religious belief across the centuries in an authoritative yet approachable way. The A-Z entries are complemented by maps, genealogies, a glossary, a chronology, and an extensive guide to further reading.--From title screen. |
literature or poetry renaissance achievement: The Encyclopedia of Contemporary American Fiction, 2 Volumes Patrick O'Donnell, Stephen J. Burn, Lesley Larkin, 2022-03-01 Fresh perspectives and eye-opening discussions of contemporary American fiction In The Encyclopedia of Contemporary American Fiction: 1980-2020, a team of distinguished scholars delivers a focused and in-depth collection of essays on some of the most significant and influential authors and literary subjects of the last four decades. Cutting-edge entries from established and new voices discuss subjects as varied as multiculturalism, contemporary regionalisms, realism after poststructuralism, indigenous narratives, globalism, and big data in the context of American fiction from the last 40 years. The Encyclopedia provides an overview of American fiction at the turn of the millennium as well as a vision of what may come. It perfectly balances analysis, summary, and critique for an illuminating treatment of the subject matter. This collection also includes: An exciting mix of established and emerging contributors from around the world discussing central and cutting-edge topics in American fiction studies Focused, critical explorations of authors and subjects of critical importance to American fiction Topics that reflect the energies and tendencies of contemporary American fiction from the forty years between 1980 and 2020 The Encyclopedia of Contemporary American Fiction: 1980-2020 is a must-have resource for undergraduate and graduate students of American literature, English, creative writing, and fiction studies. It will also earn a place in the libraries of scholars seeking an authoritative array of contributions on both established and newer authors of contemporary fiction. |
literature or poetry renaissance achievement: Renaissance Women Writers Anne R. Larsen, Colette H. Winn, 1994 A collective awareness of the determining role of gender marks the essays in this volume, providing fresh insights into the works of Renaissance women writers. |
literature or poetry renaissance achievement: The Return of King Arthur Beverly Taylor, Elisabeth Brewer, 1983 The revival of interest in Arthurian legend in the 19th century was a remarkable phenomenon, apparently at odds with the spirit of the age. Tennyson was widely criticised for his choice of a medieval topic; yet The Idylls of the Kingwere accepted as the national epic, and a flood of lesser works was inspired by them, on both sides of the Atlantic. Elisabeth Brewer and Beverly Taylor survey the course of Arthurian literature from 1800 to the present day, and give an account of all the major English and American contributions. Some of the works are well-known, but there are also a host of names which will be new to most readers, and some surprises, such as J. Comyns Carr's King Arthur, rightly ignored as a text, but a piece oftheatrical history, for Sir Henry Irving played King Arthur, Ellen Terry was Guinevere, Arthur Sullivan wrote the music, and Burne-Jones designed the sets. The Arthurian works of the Pre-Raphaelites are discussed at length, as are the poemsof Edward Arlington Robinson, John Masefield and Charles Williams. Other writers have used the legends as part of a wider cultural consciousness: The Waste Land, David Jones's In Parenthesis and The Anathemata, and the echoes ofTristan and Iseult in Finnigan's Wake are discussed in this context. Novels on Arthurian themes are given their due place, from the satirical scenes of Thomas Love Peacock's The Misfortunes of Elphin and Mark Twain's A Connecticut Yankee at King Arthur's Court to T.H. White's serio-comic The Once and Future King and the many recent novelists who have turned away from the chivalric Arthur to depict him as a Dark Age ruler. The Return of King Arthurincludes a bibliography of British and American creative writing relating to the Arthurian legends from 1800 to the present day. |
literature or poetry renaissance achievement: Legal Reform in English Renaissance Literature Virginia Lee Strain, 2018-03-14 The first study of legal reform and literature in early modern EnglandThis book investigates rhetorical and representational practices that were used to monitor English law at the turn of the seventeenth century. The late-Elizabethan and early-Jacobean surge in the policies and enforcement of the reformation of manners has been well-documented. What has gone unnoticed, however, is the degree to which the law itself was the focus of reform for legislators, the judiciary, preachers, and writers alike. While the majority of law and literature studies characterize the law as a force of coercion and subjugation, this book instead treats in greater depth the law's own vulnerability, both to corruption and to correction. In readings of Spenser's Faerie Queene, the Gesta Grayorum, Donne's 'Satyre V', and Shakespeare's Measure for Measure and The Winter's Tale, Strain argues that the terms and techniques of legal reform provided modes of analysis through which legal authorities and literary writers alike imagined and evaluated form and character. Key FeaturesReevaluates canonical writers in light of developments in legal historical research, bringing an interdisciplinary perspective to works Collects an extensive variety of legal, political, and literary sources to reconstruct the discourse on early modern legal reform, providing an introduction to a topic that is currently underrepresented in early modern legal cultural studiesAnalyses the laws own vulnerability to individual agency. |
literature or poetry renaissance achievement: Metamorphosis in Shakespeare's Plays Elizabeth Truax, 1992 Images of metamorphosis characterize Shakespeare's drama on every level. Once the image is established by simile, metaphor, or direct allusion, it is then transformed into the stuff of theatre. The images are charged with tension, excitement, and sometimes humour. The protagonists assume the posture of the pagan gods, heroes and others, depicted in literature and the visual arts and attempt to play roles for which they are often ill-suited or unprepared. After trial and learning they undergo genuine transformations as a result of actions for which they are responsible, and learn valuable lessons. This is an approach to Shakespeare's use of metamorphosis, using The Taming of the Shrew, Midsummer Night's Dream, The Merchant of Venice, Hamlet, A Winter's Tale, and others to demonstrate transformations on several levels. |
literature or poetry renaissance achievement: Petrarch and Boccaccio Igor Candido, 2018-02-19 Die Buchreihe Mimesis präsentiert unter ihrem neuen Untertitel Romanische Literaturen der Welt ein innovatives und integrales Verständnis der Romania wie der Romanistik aus literaturwissenschaftlicher und kulturtheoretischer Perspektive. Sie trägt der Tatsache Rechnung, dass die faszinierende Entwicklung der romanischen Literaturen und Kulturen in Europa wie außerhalb Europas neue weltweite Dynamiken in Gang gesetzt hat, welche die großen Traditionen der Romania fortschreiben und auf neue Horizonte hin öffnen. In Mimesis kommt ein transareales, die europäische und die außereuropäische Welt romanischer Literaturen und Kulturen zusammendenkendes Verständnis der Romanistik zur Geltung, das über nationale wie disziplinäre Grenzziehungen hinweg die oft übersehenen Wechselwirkungen zwischen unterschiedlichen Traditions- und Entwicklungslinien in Europa und den Amerikas, in Afrika und Asien entfaltet. Im Archipel der Romanistik zeigt Mimesis auf, wie die dargestellte Wirklichkeit in den romanischen Literaturen der Welt die Tür zu einem vielsprachigen Kosmos verschiedenartiger Logiken öffnet. |
literature or poetry renaissance achievement: The Oxford History of Classical Reception in English Literature Patrick Cheney, Philip Hardie, 2015-10-29 The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This second volume covers the years 1558-1660, and explores the reception of the ancient genres and authors in English Renaissance literature, engaging with the major, and many of the minor, writers of the period, including Shakespeare, Marlowe, Spenser, and Jonson. Separate chapters examine the Renaissance institutions and contexts which shape the reception of antiquity, and an annotated bibliography provides substantial material for further reading. |
literature or poetry renaissance achievement: Reader's Guide to Literature in English Mark Hawkins-Dady, 2012-12-06 Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study. |
literature or poetry renaissance achievement: Classical Literature & History of English Literature For B.A. (Sem.-5) According to NEP-2020 R. Bansal, 2023-12-04 Contents: 1. Important Concepts In English Literature 2. The Republic (By Plato) 3. Iliad (By Homer) 4. Oedipus Rex (By Sophocles) 5. Shakuntala (By Kalidasa) 6. Chaucer To Renaissance (14th To 16th Century) 7. Neoclassicism And Growth Of Romantic Literature (17th And 18th Century) 8. Flourishing Victorian Era (Romantic Age And 19th Century) 9. Modernist Experimentation (20th Century). Additional Information: The author of this book is R. Bansal. |
literature or poetry renaissance achievement: Literature Criticism from 1400 to 1800 , 2007 |
literature or poetry renaissance achievement: Modern Indian Literature, an Anthology: Surveys and poems K. M. George, 1992 This Is The First Of Three-Volume Anthology Of Writings In Twenty-Two Indian Languages, Including English, That Intends To Present The Wonderful Diversities Of Themes And Genres Of Indian Literature. This Volume Comprises Representative Specimens Of Poems From Different Languages In English Translation, Along With Perceptive Surveys Of Each Literature During The Period Between 1850 And 1975. |
literature or poetry renaissance achievement: Studying Poetry Barry Spurr, 2006-08-25 This engaging introduction to poetry covers the entire tradition of poetry in English, providing close readings of interesting and varied texts. In this updated second edition, coverage has been expanded to cover medieval poetry and to give more weight to literary theory and women poets, while a new chapter focuses on key contemporary poets. |
literature or poetry renaissance achievement: The Chronology of American Literature Daniel S. Burt, 2004 If you are looking to brush up on your literary knowledge, check a favorite author's work, or see a year's bestsellers at a glance, The Chronology of American Literature is the perfect resource. At once an authoritative reference and an ideal browser's guide, this book outlines the indispensable information in America's rich literary past--from major publications to lesser-known gems--while also identifying larger trends along the literary timeline. Who wrote the first published book in America? When did Edgar Allan Poe achieve notoriety as a mystery writer? What was Hemingway's breakout title? With more than 8,000 works by 5,000 authors, The Chronology makes it easy to find answers to these questions and more. Authors and their works are grouped within each year by category: fiction and nonfiction; poems; drama; literary criticism; and publishing events. Short, concise entries describe an author's major works for a particular year while placing them within the larger context of that writer's career. The result is a fascinating glimpse into the evolution of some of America's most prominent writers. Perhaps most important, The Chronology offers an invaluable line through our literary past, tying literature to the American experience--war and peace, boom and bust, and reaction to social change. You'll find everything here from Benjamin Franklin's Experiments and Observations on Electricity, to Davy Crockett's first memoir; from Thoreau's Civil Disobedience to Edith Wharton's Ethan Frome; from meditations by James Weldon Johnson and James Agee to poetry by Elizabeth Bishop. Also included here are seminal works by authors such as Rachel Carson, Toni Morrison, John Updike, and Arthur Schlesinger, Jr. Lavishly illustrated--and rounded out with handy bestseller lists throughout the twentieth century, lists of literary awards and prizes, and authors' birth and death dates--The Chronology of American Literature belongs on the shelf of every bibliophile and literary enthusiast. It is the essential link to our literary past and present. |